Mixing Audio: Concepts, Practices, and Tools
This third edition of Mixing Audio: Concepts, Practices, and Tools is a vital read for anyone wanting to succeed in the field of mixing. This book covers the entire mixing process —from fundamental concepts to advanced techniques. Packed full of photos, graphs, diagrams, and audio samples, it teache...
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| creator | Izhaki, Roey |
| description | This third edition of Mixing Audio: Concepts, Practices, and Tools is a vital read for anyone wanting to succeed in the field of mixing. This book covers the entire mixing process —from fundamental concepts to advanced techniques. Packed full of photos, graphs, diagrams, and audio samples, it teaches the importance of a mixing vision, how to craft and evaluate your mix, and how to take it a step further. The book describes the theory, the tools used, and how these are put into practice while creating mixes.
The companion website, featuring over 2,000 audio samples as well as 5 multitracks, is a perfect complement to the third edition.
The new edition includes:
A new “Mixing and the brain” chapter that provides a cognitive/psychological overview of many aspects related to and affecting mixing engineers (and listeners).
Updated figures and text reflecting recent software updates and trends. |
| doi_str_mv | 10.4324/9781315716947 |
| format | Book |
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The companion website, featuring over 2,000 audio samples as well as 5 multitracks, is a perfect complement to the third edition.
The new edition includes:
A new “Mixing and the brain” chapter that provides a cognitive/psychological overview of many aspects related to and affecting mixing engineers (and listeners).
Updated figures and text reflecting recent software updates and trends.</description><edition>Third edition.</edition><identifier>ISBN: 1138241385</identifier><identifier>ISBN: 9781138241381</identifier><identifier>ISBN: 9781138859784</identifier><identifier>ISBN: 1138859788</identifier><identifier>EISBN: 9781315716947</identifier><identifier>EISBN: 1315716941</identifier><identifier>EISBN: 9781317508519</identifier><identifier>EISBN: 1317508513</identifier><identifier>EISBN: 1317508505</identifier><identifier>EISBN: 9781317508502</identifier><identifier>DOI: 10.4324/9781315716947</identifier><identifier>OCLC: 993949275</identifier><language>eng</language><publisher>Independence: Routledge</publisher><subject>Audio ; Communications & Information Processing ; Digital techniques ; Recording and reproducing ; Sound ; Sound Production ; Sound recordings</subject><creationdate>2018</creationdate><tpages>12</tpages><tpages>570</tpages><tpages>582</tpages><format>12</format><rights>2018 Roey Izhaki</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>306,776,780,782,27902</link.rule.ids></links><search><creatorcontrib>Izhaki, Roey</creatorcontrib><title>Mixing Audio: Concepts, Practices, and Tools</title><description>This third edition of Mixing Audio: Concepts, Practices, and Tools is a vital read for anyone wanting to succeed in the field of mixing. This book covers the entire mixing process —from fundamental concepts to advanced techniques. Packed full of photos, graphs, diagrams, and audio samples, it teaches the importance of a mixing vision, how to craft and evaluate your mix, and how to take it a step further. The book describes the theory, the tools used, and how these are put into practice while creating mixes.
The companion website, featuring over 2,000 audio samples as well as 5 multitracks, is a perfect complement to the third edition.
The new edition includes:
A new “Mixing and the brain” chapter that provides a cognitive/psychological overview of many aspects related to and affecting mixing engineers (and listeners).
Updated figures and text reflecting recent software updates and trends.</description><subject>Audio</subject><subject>Communications & Information Processing</subject><subject>Digital techniques</subject><subject>Recording and reproducing</subject><subject>Sound</subject><subject>Sound Production</subject><subject>Sound recordings</subject><isbn>1138241385</isbn><isbn>9781138241381</isbn><isbn>9781138859784</isbn><isbn>1138859788</isbn><isbn>9781315716947</isbn><isbn>1315716941</isbn><isbn>9781317508519</isbn><isbn>1317508513</isbn><isbn>1317508505</isbn><isbn>9781317508502</isbn><fulltext>true</fulltext><rsrctype>book</rsrctype><creationdate>2018</creationdate><recordtype>book</recordtype><sourceid/><recordid>eNqN0TtPwzAQAGAjBKK0HdnZEEPhzmfH8Viq8pCKWBCr5SQ2hIYY4rSl_55CulRi6OKTpe_udHeMnSFcCeLiWqsUCaXCRAt1wIY7_0N2ikgpF5tHHrOe1qSF5kqesGGM7wCAqQLg0GODx_K7rF_Px4uiDAN25G0V3XAb--zldvo8uR_Nnu4eJuPZyBIIyUeUKlReK4nkQUvIhU1QFAKlIJX5zOs85ZhTgomUmjiBkrlNvCyEJ5s56rPLrrCNc7eKb6Fqo1lWLgthHk03i5KQStT7W-B72e2ONvais59N-Fq42Jo_lru6bWxlpjcToZFrnmyk6GRZ-9B82FVoqsK0dl2Fxje2zsv4f4PpfmkI5vemu-lm6ZpYhprTDw6ijbU</recordid><startdate>2018</startdate><enddate>2018</enddate><creator>Izhaki, Roey</creator><general>Routledge</general><general>Taylor and Francis</general><general>Taylor & Francis Group</general><general>Focal Press</general><scope/></search><sort><creationdate>2018</creationdate><title>Mixing Audio</title><author>Izhaki, Roey</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-a30452-38717f97513f0950c4a614d415437bfbf9c821c3616559323075ca6f5d4f3abe3</frbrgroupid><rsrctype>books</rsrctype><prefilter>books</prefilter><language>eng</language><creationdate>2018</creationdate><topic>Audio</topic><topic>Communications & Information Processing</topic><topic>Digital techniques</topic><topic>Recording and reproducing</topic><topic>Sound</topic><topic>Sound Production</topic><topic>Sound recordings</topic><toplevel>online_resources</toplevel><creatorcontrib>Izhaki, Roey</creatorcontrib></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Izhaki, Roey</au><format>book</format><genre>book</genre><ristype>BOOK</ristype><btitle>Mixing Audio: Concepts, Practices, and Tools</btitle><date>2018</date><risdate>2018</risdate><volume>1</volume><isbn>1138241385</isbn><isbn>9781138241381</isbn><isbn>9781138859784</isbn><isbn>1138859788</isbn><eisbn>9781315716947</eisbn><eisbn>1315716941</eisbn><eisbn>9781317508519</eisbn><eisbn>1317508513</eisbn><eisbn>1317508505</eisbn><eisbn>9781317508502</eisbn><abstract>This third edition of Mixing Audio: Concepts, Practices, and Tools is a vital read for anyone wanting to succeed in the field of mixing. This book covers the entire mixing process —from fundamental concepts to advanced techniques. Packed full of photos, graphs, diagrams, and audio samples, it teaches the importance of a mixing vision, how to craft and evaluate your mix, and how to take it a step further. The book describes the theory, the tools used, and how these are put into practice while creating mixes.
The companion website, featuring over 2,000 audio samples as well as 5 multitracks, is a perfect complement to the third edition.
The new edition includes:
A new “Mixing and the brain” chapter that provides a cognitive/psychological overview of many aspects related to and affecting mixing engineers (and listeners).
Updated figures and text reflecting recent software updates and trends.</abstract><cop>Independence</cop><pub>Routledge</pub><doi>10.4324/9781315716947</doi><oclcid>993949275</oclcid><tpages>12</tpages><tpages>570</tpages><tpages>582</tpages><edition>Third edition.</edition></addata></record> |
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| language | eng |
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| source | O'Reilly Online Learning: Academic/Public Library Edition |
| subjects | Audio Communications & Information Processing Digital techniques Recording and reproducing Sound Sound Production Sound recordings |
| title | Mixing Audio: Concepts, Practices, and Tools |
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