Film and Video Editing Theory: How Editing Creates Meaning
Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work o...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | eng |
| Schlagworte: | |
| Online-Zugang: | Volltext |
| Tags: |
Tag hinzufügen
Keine Tags, Fügen Sie den ersten Tag hinzu!
|
| container_end_page | |
|---|---|
| container_issue | |
| container_start_page | |
| container_title | |
| container_volume | |
| creator | Frierson, Michael |
| description | Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don’t work. |
| doi_str_mv | 10.4324/9781315475011 |
| format | Book |
| fullrecord | <record><control><sourceid>proquest_askew</sourceid><recordid>TN_cdi_askewsholts_vlebooks_9781315475011</recordid><sourceformat>XML</sourceformat><sourcesystem>PC</sourcesystem><sourcerecordid>EBC5331764</sourcerecordid><originalsourceid>FETCH-LOGICAL-a28248-38744acc2dc9d95586b3d08886aa6c81b543feaccb5d421db80d0d9ebe8bdc6a3</originalsourceid><addsrcrecordid>eNqNkb1PQjEUxWuMRkVGRxPioHFA-_le36gE1ITEhbA2_QIqpdX2AeG_F3kuEAenm5P8zjn35gJwheADJZg-ViVHBDFaMojQEWjv6eMDfQouEMS4ZGXF2Rlo5_wBIURVyWhFzsH1wPlFRwbTGTtjY6dvXO3CtDOa2Zg2l-BkIn227d_ZAuNBf9R77Q7fX956T8OuxBxT3iW8pFRqjY2uTMUYLxQxkHNeSFlojhSjZGK3gGKGYmQUhwaayirLldGFJC1w3wTLPLfrPIu-zmLlrYpxnsXeQVv2rmE_U_xa2lyLHaZtqJP0ov_cY4SgsqBbkjakC5OYFnIdkzeilhsf0yTJoF3-u6D_PxuC4uch-3axsim7GPA256bJ0TJL74ITixjiNMnPWRaUY1Luym4bSPkYF1kt00ZknawNB1t9A3TNkxs</addsrcrecordid><sourcetype>Aggregation Database</sourcetype><iscdi>true</iscdi><recordtype>book</recordtype><pqid>EBC5331764</pqid></control><display><type>book</type><title>Film and Video Editing Theory: How Editing Creates Meaning</title><source>O'Reilly Online Learning: Academic/Public Library Edition</source><creator>Frierson, Michael</creator><creatorcontrib>Frierson, Michael</creatorcontrib><description>Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don’t work.</description><edition>b-9781315475011-0000001</edition><identifier>ISBN: 9781315475011</identifier><identifier>ISBN: 1315475014</identifier><identifier>ISBN: 9781315475004</identifier><identifier>ISBN: 1315475006</identifier><identifier>ISBN: 9781138202078</identifier><identifier>ISBN: 1138202061</identifier><identifier>ISBN: 9781138202061</identifier><identifier>ISBN: 113820207X</identifier><identifier>EISBN: 9781315475011</identifier><identifier>EISBN: 1315474980</identifier><identifier>EISBN: 1315475014</identifier><identifier>EISBN: 9781315474984</identifier><identifier>EISBN: 1315475006</identifier><identifier>EISBN: 9781315475004</identifier><identifier>EISBN: 9781315474991</identifier><identifier>EISBN: 1315474999</identifier><identifier>DOI: 10.4324/9781315475011</identifier><identifier>OCLC: 1022757985</identifier><language>eng</language><publisher>New York: the Taylor & Francis Group, an informa business</publisher><subject>Andrei Tarkovsky ; Avid ; Editing ; editing theory ; Fields & kinds of photography ; Filmmaking and Postproduction ; Final Cut Pro ; Maya Deren ; Motion pictures ; Motion pictures-Editing ; Postproduction ; Premiere Pro</subject><creationdate>2018</creationdate><tpages>322</tpages><format>322</format><rights>2018 Taylor & Francis</rights><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>306,780,784,786,24779,27924</link.rule.ids></links><search><creatorcontrib>Frierson, Michael</creatorcontrib><title>Film and Video Editing Theory: How Editing Creates Meaning</title><description>Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don’t work.</description><subject>Andrei Tarkovsky</subject><subject>Avid</subject><subject>Editing</subject><subject>editing theory</subject><subject>Fields & kinds of photography</subject><subject>Filmmaking and Postproduction</subject><subject>Final Cut Pro</subject><subject>Maya Deren</subject><subject>Motion pictures</subject><subject>Motion pictures-Editing</subject><subject>Postproduction</subject><subject>Premiere Pro</subject><isbn>9781315475011</isbn><isbn>1315475014</isbn><isbn>9781315475004</isbn><isbn>1315475006</isbn><isbn>9781138202078</isbn><isbn>1138202061</isbn><isbn>9781138202061</isbn><isbn>113820207X</isbn><isbn>9781315475011</isbn><isbn>1315474980</isbn><isbn>1315475014</isbn><isbn>9781315474984</isbn><isbn>1315475006</isbn><isbn>9781315475004</isbn><isbn>9781315474991</isbn><isbn>1315474999</isbn><fulltext>true</fulltext><rsrctype>book</rsrctype><creationdate>2018</creationdate><recordtype>book</recordtype><sourceid>I4C</sourceid><recordid>eNqNkb1PQjEUxWuMRkVGRxPioHFA-_le36gE1ITEhbA2_QIqpdX2AeG_F3kuEAenm5P8zjn35gJwheADJZg-ViVHBDFaMojQEWjv6eMDfQouEMS4ZGXF2Rlo5_wBIURVyWhFzsH1wPlFRwbTGTtjY6dvXO3CtDOa2Zg2l-BkIn227d_ZAuNBf9R77Q7fX956T8OuxBxT3iW8pFRqjY2uTMUYLxQxkHNeSFlojhSjZGK3gGKGYmQUhwaayirLldGFJC1w3wTLPLfrPIu-zmLlrYpxnsXeQVv2rmE_U_xa2lyLHaZtqJP0ov_cY4SgsqBbkjakC5OYFnIdkzeilhsf0yTJoF3-u6D_PxuC4uch-3axsim7GPA256bJ0TJL74ITixjiNMnPWRaUY1Luym4bSPkYF1kt00ZknawNB1t9A3TNkxs</recordid><startdate>2018</startdate><enddate>2018</enddate><creator>Frierson, Michael</creator><general>the Taylor & Francis Group, an informa business</general><general>Routledge</general><general>Taylor and Francis</general><general>Taylor & Francis Group</general><scope>BIHOT</scope><scope>I4C</scope></search><sort><creationdate>2018</creationdate><title>Film and Video Editing Theory</title><author>Frierson, Michael</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-a28248-38744acc2dc9d95586b3d08886aa6c81b543feaccb5d421db80d0d9ebe8bdc6a3</frbrgroupid><rsrctype>books</rsrctype><prefilter>books</prefilter><language>eng</language><creationdate>2018</creationdate><topic>Andrei Tarkovsky</topic><topic>Avid</topic><topic>Editing</topic><topic>editing theory</topic><topic>Fields & kinds of photography</topic><topic>Filmmaking and Postproduction</topic><topic>Final Cut Pro</topic><topic>Maya Deren</topic><topic>Motion pictures</topic><topic>Motion pictures-Editing</topic><topic>Postproduction</topic><topic>Premiere Pro</topic><toplevel>online_resources</toplevel><creatorcontrib>Frierson, Michael</creatorcontrib><collection>Bloomsbury Academic: Screen Studies</collection><collection>Casalini Torrossa eBook Single Purchase</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext</fulltext></delivery><addata><au>Frierson, Michael</au><format>book</format><genre>book</genre><ristype>BOOK</ristype><btitle>Film and Video Editing Theory: How Editing Creates Meaning</btitle><date>2018</date><risdate>2018</risdate><isbn>9781315475011</isbn><isbn>1315475014</isbn><isbn>9781315475004</isbn><isbn>1315475006</isbn><isbn>9781138202078</isbn><isbn>1138202061</isbn><isbn>9781138202061</isbn><isbn>113820207X</isbn><eisbn>9781315475011</eisbn><eisbn>1315474980</eisbn><eisbn>1315475014</eisbn><eisbn>9781315474984</eisbn><eisbn>1315475006</eisbn><eisbn>9781315475004</eisbn><eisbn>9781315474991</eisbn><eisbn>1315474999</eisbn><abstract>Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Noël Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don’t work.</abstract><cop>New York</cop><pub>the Taylor & Francis Group, an informa business</pub><doi>10.4324/9781315475011</doi><oclcid>1022757985</oclcid><tpages>322</tpages><edition>b-9781315475011-0000001</edition></addata></record> |
| fulltext | fulltext |
| identifier | ISBN: 9781315475011 |
| ispartof | |
| issn | |
| language | eng |
| recordid | cdi_askewsholts_vlebooks_9781315475011 |
| source | O'Reilly Online Learning: Academic/Public Library Edition |
| subjects | Andrei Tarkovsky Avid Editing editing theory Fields & kinds of photography Filmmaking and Postproduction Final Cut Pro Maya Deren Motion pictures Motion pictures-Editing Postproduction Premiere Pro |
| title | Film and Video Editing Theory: How Editing Creates Meaning |
| url | https://sfx.bib-bvb.de/sfx_tum?ctx_ver=Z39.88-2004&ctx_enc=info:ofi/enc:UTF-8&ctx_tim=2025-01-08T06%3A51%3A15IST&url_ver=Z39.88-2004&url_ctx_fmt=infofi/fmt:kev:mtx:ctx&rfr_id=info:sid/primo.exlibrisgroup.com:primo3-Article-proquest_askew&rft_val_fmt=info:ofi/fmt:kev:mtx:book&rft.genre=book&rft.btitle=Film%20and%20Video%20Editing%20Theory:%20How%20Editing%20Creates%20Meaning&rft.au=Frierson,%20Michael&rft.date=2018&rft.isbn=9781315475011&rft.isbn_list=1315475014&rft.isbn_list=9781315475004&rft.isbn_list=1315475006&rft.isbn_list=9781138202078&rft_id=info:doi/10.4324/9781315475011&rft_dat=%3Cproquest_askew%3EEBC5331764%3C/proquest_askew%3E%3Curl%3E%3C/url%3E&rft.eisbn=9781315475011&rft.eisbn_list=1315474980&rft.eisbn_list=1315475014&rft.eisbn_list=9781315474984&rft.eisbn_list=1315475006&disable_directlink=true&sfx.directlink=off&sfx.report_link=0&rft_id=info:oai/&rft_pqid=EBC5331764&rft_id=info:pmid/&rfr_iscdi=true |