Deep convolutional networks on the pitch spiral for musical instrument recognition
Musical performance combines a wide range of pitches, nuances, and expressive techniques. Audio-based classification of musical instruments thus requires to build signal representations that are invariant to such transformations. This article investigates the construction of learned convolutional ar...
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creator | Lostanlen, Vincent Cella, Carmine-Emanuele |
description | Musical performance combines a wide range of pitches, nuances, and expressive
techniques. Audio-based classification of musical instruments thus requires to
build signal representations that are invariant to such transformations. This
article investigates the construction of learned convolutional architectures
for instrument recognition, given a limited amount of annotated training data.
In this context, we benchmark three different weight sharing strategies for
deep convolutional networks in the time-frequency domain: temporal kernels;
time-frequency kernels; and a linear combination of time-frequency kernels
which are one octave apart, akin to a Shepard pitch spiral. We provide an
acoustical interpretation of these strategies within the source-filter
framework of quasi-harmonic sounds with a fixed spectral envelope, which are
archetypal of musical notes. The best classification accuracy is obtained by
hybridizing all three convolutional layers into a single deep learning
architecture. |
doi_str_mv | 10.48550/arxiv.1605.06644 |
format | Article |
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techniques. Audio-based classification of musical instruments thus requires to
build signal representations that are invariant to such transformations. This
article investigates the construction of learned convolutional architectures
for instrument recognition, given a limited amount of annotated training data.
In this context, we benchmark three different weight sharing strategies for
deep convolutional networks in the time-frequency domain: temporal kernels;
time-frequency kernels; and a linear combination of time-frequency kernels
which are one octave apart, akin to a Shepard pitch spiral. We provide an
acoustical interpretation of these strategies within the source-filter
framework of quasi-harmonic sounds with a fixed spectral envelope, which are
archetypal of musical notes. The best classification accuracy is obtained by
hybridizing all three convolutional layers into a single deep learning
architecture.</description><identifier>DOI: 10.48550/arxiv.1605.06644</identifier><language>eng</language><subject>Computer Science - Sound</subject><creationdate>2016-05</creationdate><rights>http://arxiv.org/licenses/nonexclusive-distrib/1.0</rights><oa>free_for_read</oa><woscitedreferencessubscribed>false</woscitedreferencessubscribed></display><links><openurl>$$Topenurl_article</openurl><openurlfulltext>$$Topenurlfull_article</openurlfulltext><thumbnail>$$Tsyndetics_thumb_exl</thumbnail><link.rule.ids>228,230,776,881</link.rule.ids><linktorsrc>$$Uhttps://arxiv.org/abs/1605.06644$$EView_record_in_Cornell_University$$FView_record_in_$$GCornell_University$$Hfree_for_read</linktorsrc><backlink>$$Uhttps://doi.org/10.48550/arXiv.1605.06644$$DView paper in arXiv$$Hfree_for_read</backlink></links><search><creatorcontrib>Lostanlen, Vincent</creatorcontrib><creatorcontrib>Cella, Carmine-Emanuele</creatorcontrib><title>Deep convolutional networks on the pitch spiral for musical instrument recognition</title><description>Musical performance combines a wide range of pitches, nuances, and expressive
techniques. Audio-based classification of musical instruments thus requires to
build signal representations that are invariant to such transformations. This
article investigates the construction of learned convolutional architectures
for instrument recognition, given a limited amount of annotated training data.
In this context, we benchmark three different weight sharing strategies for
deep convolutional networks in the time-frequency domain: temporal kernels;
time-frequency kernels; and a linear combination of time-frequency kernels
which are one octave apart, akin to a Shepard pitch spiral. We provide an
acoustical interpretation of these strategies within the source-filter
framework of quasi-harmonic sounds with a fixed spectral envelope, which are
archetypal of musical notes. The best classification accuracy is obtained by
hybridizing all three convolutional layers into a single deep learning
architecture.</description><subject>Computer Science - Sound</subject><fulltext>true</fulltext><rsrctype>article</rsrctype><creationdate>2016</creationdate><recordtype>article</recordtype><sourceid>GOX</sourceid><recordid>eNotj8tuwyAURNl0UaX9gK7KD9iFXCBkWaVPKVKlKnsL40uCYoMFOG3_vk7a1cxopCMdQu44q4WWkj2Y9O1PNVdM1kwpIa7J5xPiSG0Mp9hPxcdgehqwfMV0zDQGWg5IR1_sgebRp_l0MdFhyt7O3Ydc0jRgKDShjfvgz4QbcuVMn_H2Pxdk9_K827xV24_X983jtjJqJarOAULrVLtyTkpwS90qDnxeXBsBwiCstVrzFlVnO1RLxqyRVoNFcJYZWJD7P-xFqhmTH0z6ac5yzUUOfgELe0yE</recordid><startdate>20160521</startdate><enddate>20160521</enddate><creator>Lostanlen, Vincent</creator><creator>Cella, Carmine-Emanuele</creator><scope>AKY</scope><scope>GOX</scope></search><sort><creationdate>20160521</creationdate><title>Deep convolutional networks on the pitch spiral for musical instrument recognition</title><author>Lostanlen, Vincent ; Cella, Carmine-Emanuele</author></sort><facets><frbrtype>5</frbrtype><frbrgroupid>cdi_FETCH-LOGICAL-a674-df3e3bf6b7ff553f28b61317ff18a434ae398691be6dcde6200ca5c83ce3fc0a3</frbrgroupid><rsrctype>articles</rsrctype><prefilter>articles</prefilter><language>eng</language><creationdate>2016</creationdate><topic>Computer Science - Sound</topic><toplevel>online_resources</toplevel><creatorcontrib>Lostanlen, Vincent</creatorcontrib><creatorcontrib>Cella, Carmine-Emanuele</creatorcontrib><collection>arXiv Computer Science</collection><collection>arXiv.org</collection></facets><delivery><delcategory>Remote Search Resource</delcategory><fulltext>fulltext_linktorsrc</fulltext></delivery><addata><au>Lostanlen, Vincent</au><au>Cella, Carmine-Emanuele</au><format>journal</format><genre>article</genre><ristype>JOUR</ristype><atitle>Deep convolutional networks on the pitch spiral for musical instrument recognition</atitle><date>2016-05-21</date><risdate>2016</risdate><abstract>Musical performance combines a wide range of pitches, nuances, and expressive
techniques. Audio-based classification of musical instruments thus requires to
build signal representations that are invariant to such transformations. This
article investigates the construction of learned convolutional architectures
for instrument recognition, given a limited amount of annotated training data.
In this context, we benchmark three different weight sharing strategies for
deep convolutional networks in the time-frequency domain: temporal kernels;
time-frequency kernels; and a linear combination of time-frequency kernels
which are one octave apart, akin to a Shepard pitch spiral. We provide an
acoustical interpretation of these strategies within the source-filter
framework of quasi-harmonic sounds with a fixed spectral envelope, which are
archetypal of musical notes. The best classification accuracy is obtained by
hybridizing all three convolutional layers into a single deep learning
architecture.</abstract><doi>10.48550/arxiv.1605.06644</doi><oa>free_for_read</oa></addata></record> |
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subjects | Computer Science - Sound |
title | Deep convolutional networks on the pitch spiral for musical instrument recognition |
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