THE HOLY CROSS LEGEND: A UNIQUE VERSION IN OXFORD, TRINITY COLLEGE, MS 29 von GILLHAMMER, COSIMA

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On Not Choking in Herbert's "The Collar" von NACE, NICHOLAS D.

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Alliteration Deformed: The Stylistic Estrangement of Malory's Roman War von WALLING, AMANDA

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Genre as Context in the Alliterative "Morte Arthure" von WHETTER, K.S.

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"And loved he was with all". Identity in Sir Isumbras von Landers, Samara P.

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"Stuffed with All Honourable Virtues": "Much Ado about Nothing" and "The Book of the Courtier" von Collington, Philip D.

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‘A TALKATIUE WENCH (WHOSE WORDS A WORLD HATH DELIGHTED IN)’: MISTRESS SHORE AND ELIZABETHAN COMPLAINT von Brown, Richard Danson

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"To Take on Them Judgemente": Absolutism and Debate in John Heywood's Plays von Lines, Candace

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Knowledge, Belief, and Lack of Agency: The Dreams of Geoffrey, Troilus, Criseyde, and Chauntecleer von Hum, Sue

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Chaucer's Sovereign Lady von Galway, Margaret

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Forgetting and Keeping: Jane Shore and the English Domestication of History von WALL, WENDY

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"Exemplify my frailty": representing English women in 'De casibus' tragedy von Budra, Paul

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Literary Associations of an Anonymous English Paraphrase of Vulgate Psalm 1 von Thomson, John J

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Malory and the Marriage of Edward IV von KENNEDY, EDWARD D.

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Gollancz, I. and Weale, M. M., The Quatrefoil of Love (Book Review) von Smithers, G V

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REVIEWS

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Chaucer's Complaint, a Genre Descended from the Heroides von Dean, Nancy

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Chaucer: A Criticism and a Reply von Huppé, Bernard F., Galway, Margaret

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PEARL

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FLY LEAVES, No. XXXIII von Hood, E U

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