Hughie and Krapp's Last Tape (by Samuel Beckett) von Westgate, J. Chris

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“I'll Show You the Bowery from Chatham Square to the Cooper Institute”: The Entertainment and Ethics of Slumming in the Theatre von Westgate, J. Chris

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O'Neill's “Damned Unconventional” Play from the Prohibition Years: Anna Christie von Westgate, J. Chris

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BOLEROS FOR THE DISENCHANTED von WESTGATE, J. CHRIS

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DEAD MAN'S CELL PHONE von WESTGATE, J. CHRIS

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David Hare's Stuff Happens in Seattle: Taking a Sober Account von Westgate, J. Chris

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Evicted in—and from—Toronto: Walker's Beautiful City at Factory Theatre von Westgate, J. Chris

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Hughie and Krapp's Last Tape by Samuel Beckett and Steven Robman (review) von Westgate, J. Chris

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Toward a Rhetoric of Sociospatial Theatre: José Rivera's "Marisol" von Westgate, J. Chris

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“In Ireland He's Considered an Irish-American Playwright”: Eugene O'Neill, A Touch of the Poet, and the Irish Play von Westgate, J. Chris

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Visions of Tragedy in Modern American Drama ed. by David Palmer (review) von Westgate, J. Chris

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Review von Westgate, J. Chris

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Review: O'Neill's Ghosts von Westgate, J. Chris

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Review von Westgate, J. Chris

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Representations of Eugene O'Neill: Fiction, Autobiography, and Adaptation von Palmer, David, Westgate, J. Chris

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Representations of Eugene O'Neill: Fiction, Autobiography, and Adaptation von Palmer, David, Westgate, J. Chris

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O’Neill’s Ghosts by Jovanka Bach (review) von Westgate, J. Chris

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Performance reviews von Westgate, J. Chris

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Long Day's Journey Into Night: directed by Joe Parrish Maverick Theater Fullerton, Calfornia January 10-February 1, 2014 von Westgate, J. Chris

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Foreword von Westgate, J. Chris

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