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of the key producers to emerge from the early 1990s wave of American independent cinema, Ted Hope has shepherded nearly 70 lms in his career and continues to work in the arty indie arena as the new head of the San Francisco Film Society (SFFS). He started his career in the New Line Cinema mailroom and cut his teeth on low-budget horror lms in and around New York City. The lm to cement his place among the “fast-and-cheap” lmmakers set was Hal Hartley’s The Unbelievable Truth (1989), on which Hope
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DISCRIMINATION DENIALS: ARE SAME-SEX WEDDING SERVICE REFUSALS DISCRIMINATORY?
Veröffentlicht in Columbia law review
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Destination of dreams: unravelling wedding and honeymoon tourism research
Veröffentlicht in Quality & quantity
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Wedding Amidst War? Armed Conflict and Female Teen Marriage in Azerbaijan
Veröffentlicht in European journal of population
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