Touching the audience: musical haptic wearables for augmented and participatory live music performances von Turchet, Luca, West, Travis, Wanderley, Marcelo M.

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Using soundscape simulation to evaluate compositions for a public space sound installationa von Fraisse, Valérian, Schütz, Nadine, Wanderley, Marcelo M., Guastavino, Catherine, Misdariis, Nicolas

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A comprehensive review of sensors and instrumentation methods in devices for musical expression von Medeiros, Carolina Brum, Wanderley, Marcelo M

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Using soundscape simulation to evaluate compositions for a public space sound installation von Fraisse, Valérian, Schütz, Nadine, Wanderley, Marcelo M., Guastavino, Catherine, Misdariis, Nicolas

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Dissociable effects of practice variability on learning motor and timing skills von Caramiaux, Baptiste, Bevilacqua, Frédéric, Wanderley, Marcelo M, Palmer, Caroline

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Action-based effects on music perception von Maes, Pieter-Jan, Leman, Marc, Palmer, Caroline, Wanderley, Marcelo M

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Staying Together: A Bidirectional Delay–Coupled Approach to Joint Action von Demos, Alexander P., Layeghi, Hamed, Wanderley, Marcelo M., Palmer, Caroline

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Sticking choices in timpani sight-reading performance von Bacon, Benjamin, Jackson, Stuart, Marci, Ian, Marandola, Fabrice, Wanderley, Marcelo M.

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Kinematic Analysis of Pianists' Expressive Performances of Romantic Excerpts: Applications for Enhanced Pedagogical Approaches von Massie-Laberge, Catherine, Cossette, Isabelle, Wanderley, Marcelo M

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Challenges and Opportunities of Force Feedback in Music von Frisson, Christian, Wanderley, Marcelo M.

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Force-Feedback and Music: Five Decades of Research and Development at ACROE: An Interview with Claude Cadoz (ACROE, Grenoble, France) von Wanderley, Marcelo M., Frisson, Christian

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The role of working memory in the temporal control of discrete and continuous movements von Maes, Pieter-Jan, Wanderley, Marcelo M., Palmer, Caroline

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Feeling the Future—Haptic Audio: Editorial von Paterson, Justin, Wanderley, Marcelo M.

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Evaluation of Inertial Sensor Data by a Comparison with Optical Motion Capture Data of Guitar Strumming Gestures von Freire, Sérgio, Santos, Geise, Armondes, Augusto, Meneses, Eduardo A L, Wanderley, Marcelo M

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A multi-sensor human gait dataset captured through an optical system and inertial measurement units von Santos, Geise, Wanderley, Marcelo, Tavares, Tiago, Rocha, Anderson

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Indirect Acquisition of Violin Instrumental Controls from Audio Signal with Hidden Markov Models von Perez-Carrillo, Alfonso, Wanderley, Marcelo M.

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Connecting Free Improvisation Performance and Drumming Gestures Through Digital Wearables von Pras, Amandine, Rodrigues, Mailis G, Grupp, Victoria, Wanderley, Marcelo M

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Assessing the Impact of Force Feedback in Musical Knobs on Performance and User Experience von Piao, Ziyue, Frisson, Christian, Kerrebroeck, Bavo Van, Wanderley, Marcelo M.

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Comprehensive Framework for Describing Interactive Sound Installations: Highlighting Trends through a Systematic Review von Fraisse, Valérian, Wanderley, Marcelo M., Guastavino, Catherine

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Haptic and audio interaction design von Pietrzak, Thomas, Wanderley, Marcelo M.

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