Charcoal or black stone? Reconstructions as a tool to study the behaviour of dry underdrawing materials within the paint structure of sixteenth century panel paintings von Melo, H. P., Valadas, Sara, Cruz, António João, Candeias, António

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Paint, Colour, and Style: The Contribution of Minerals to the Palette of the Descent from the Cross, Attributed to the Portuguese Painter Francisco João (act. 1558–1595) von Melo, Helena, Cruz, António, Sanyova, Jana, Valadas, Sara, Cardoso, Ana

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The Power of Combining MA-XRF, Infrared Reflectography and Digital Microscopy to Unveil the Production of the 16th Century Illuminated Charter of Évora: What May Be Hidden under a... von Miguel, Catarina, Bottura-Scardina, Silvia, Bottaini, Carlo, Valadas, Sara, Candeias, Antonio, Bilou, Francisco

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On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939–1940): First Analytical Approach and Insight on the Use of Cd Based Pigments von Gil, Milene, Costa, Mafalda, Cardoso, Ana, Valadas, Sara, Helvaci, Yigit, Bhattacharya, Sriradha, Moita, Patricia, Candeias, Antonio

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The Matter from Which an Orange Colour Is Made: On the Arsenic Pigment Used in a Portuguese Mannerist Painting von Cruz, António João, Melo, Helena P., Valadas, Sara, Miguel, Catarina, Candeias, António

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A Multi-Analytical Study of Egyptian Funerary Artifacts from Three Portuguese Museum Collections von Schiavon, Nick, Panganiban, Patricia, Valadas, Sara, Bottaini, Carlo, Barrocas Dias, Cristina, Manhita, Ana, Candeias, Antonio

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A Painter in the Shadow: Unveiling Conservation, Materials and Techniques of the Unknown Luso-Flemish Master of Lourinhã von Antunes, Vanessa, Serrão, Vitor, Valadas, Sara, Candeias, António, Mirão, José, Cardoso, Ana, Manso, Marta, Carvalho, Maria L.

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Targeting carbohydrates: a novel paradigm for fungal control von Ferrreira, Ricardo Manuel Seixas Boavida, Freitas, Regina Fonseca Luz, Monteiro, Sara Alexandra Valadas Silva

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Analysis of green pigments: The case of Almada Negreiros maritime station murals in Lisbon (Portugal) von Valadas, Sara, Vandenabeele, Peter, Gil, Milene, Frade, José C., Vermeersch, Eva, Lycke, Sylvia, Dias, Luís, Candeias, António, Costa, Mafalda

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The use of in situ non-invasive techniques as powerful tools in the investigation of eighteenth century Chinese wallpapers from the National Museum of Ancient Art—Lisbon von Pressato, Miriam, Lança, Teresa, Miguel, Catarina, Candeias, António, Valadas, Sara

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Images in transformation: The color and its change in a group of Portuguese paintings from the second half of the 16th century von Pinheiro de Melo, Helena, Cruz, António João, Sanyova, Jana, Valadas, Sara, Cardoso, Ana Margarida, Candeias, António

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The use of glass particles and its consequences in late 16th century oil painting: A Portuguese case based on the analytical results and the technical treatises von Melo, Helena P., Cruz, António João, Valadas, Sara, Cardoso, Ana Margarida, Candeias, António

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Preliminary Diagnostic Survey of Deteriorated Paint Layers at the Maritime Station of Rocha Do Conde De Óbidos, Lisbon: A Multianalytical Research von Rix, Keelie, Valadas, Sara, Cardoso, Ines, Dias, Luis, Gil, Milene

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Annunciation or Adoration? The workshop practice and the hesitations of a Portuguese mannerist painter revealed by infrared reflectography von P. Melo, Helena, Cruz, António João, Valadas, Sara, Candeias, António

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António Carneiro’s Painting Collection from the Municipality of Oporto. Study and Conservation in the 150th Anniversary of the Painter’s Birth von Barata, Carolina, Cabral, Ana, Aguiar, Maria, Castro, Laura, Machado, Ana, Cardoso, Ana, Valadas, Sara, Piorro, Luis

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EDVARD MUNCH'S COLLECTION OF DRAWING MATERIALS: CRAYON CHARACTERIZATION von Cardoso, Ana Margarida, Sandu, Irina Crina Anca, Sandbakken, Erika, Manhita, Ana, Valadas, Sara, Dias, Cristina, Candeias, António

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Josefa d' Óbidos workshop from panel to canvas. Multianalytical approach to materials and technical evolution of the most significant Portuguese painting workshop of the 17th centu... von Antunes, Vanessa, Valadas, Sara, Serrão, Vitor, Carvalho, Maria L., Candeias, António, Mirão, José, Cardoso, Ana, Pessanha, Sofia, Manso, Marta

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EXPLORATORY ANALYTICAL STUDY OF A 20TH CENTURY PORTUGUESE MURAL PAINTING BY JULIO RESENDE (1917-2011) von Kovalev, Ilia, Costa, Mafalda, Valadas, Sara, Cardoso, Ana, Candeias, Antonio, Gil, Milene

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On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese-Flemish Paintings Attributed to The Master Frei Carlos Workshop von Valadas, Sara, Freire, Rita V., Cardoso, Ana, Mirão, José, Dias, Cristina B., Vandenabeele, Peter, Candeias, António

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On the Use of the Unusual Green Pigment Brochantite (Cu sub(4)(SO sub(4))(OH) sub(6)) in the 16th-Century Portuguese-Flemish Paintings Attributed to The Master Frei Carlos Workshop von Valadas, Sara, Freire, Rita V, Cardoso, Ana, Mirao, Jose, Dias, Cristina B, Vandenabeele, Peter, Candeias, Antonio

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