Dialect and Identity in Harriet Jacobs's Autobiography and Other Slave Narratives von Tricomi, Albert

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The Severed Hand in Webster's "Duchess of Malfi" von Tricomi, Albert H.

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Counting Insatiate Countesses: The Seventeenth-Century Annotations to Marston's "The Insatiate Countess" von Tricomi, Albert H.

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Two Letters concerning George Chapman von Tricomi, Albert H.

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Reenvisioning England's Medieval Cycle Comedy von TRICOMI, ALBERT H.

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Watermark Dating of Robert Davenport's Literary Manuscripts von Tricomi, Albert H.

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Middleton's "Women Beware Women" as Anticourt Drama von Tricomi, Albert H.

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"A New Way to Pay Old Debts" and The Country-House Poetic Tradition von Tricomi, Albert H.

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Contextualizing the Renaissance: Returns to History von Tricomi, Albert H

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The Dates of the Plays of George Chapman von TRICOMI, ALBERT H.

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Joan la Pucelle and the Inverted Saints Play in "1 Henry VI" von Tricomi, Albert H

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John Marston's Manuscripts von Tricomi, Albert H.

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The Provenance of John Marston's Letter to Lord Kimbolton von Tricomi, Albert H.

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The Focus of Satire and the Date of Monsieur D'Olive von Tricomi, Albert H.

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The Revised Version of Chapman's "Bussy D'Ambois": A Shift in Point of View von Tricomi, Albert H.

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Joan la Pucelle and the Inverted Saints Play in "1 Henry VI" von TRICOMI, ALBERT H.

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Joan la Pucelle and the Inverted Saints Play in 1 Henry VI von Tricomi, Albert H.

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Shakespeare's Earliest Tragedy: Studies in Titus Andronicus von Tricomi, Albert H.

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A Dialogue betweene Pollicy and Piety by Robert Davenport von TRICOMI, ALBERT H.

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"A Dialogue between Pollicy and Piety" by Robert Davenport (text): illustration of "Hibernia," p. 204

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