Murder and Aesthetics in Patricia Highsmith’s Deep Water von Snyder, Robert Lance

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Ghostwriting and Spectrality in Robert Harris’s The Ghost von Snyder, Robert Lance

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Ross Macdonald, Redivivus? von Snyder, Robert Lance

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David Goodis’s Noir Fiction: The American Dream’s Paralysis von Snyder, Robert Lance

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Cultural Relativism and “Our Way of Life”: Patricia Highsmith’s The Tremor of Forgery von Robert Lance SNYDER

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Strength of Single- Versus Double-Anchor Repair of Type II SLAP Lesions: A Cadaveric Study von Baldini, Todd, M.S, Snyder, R. Lance, M.D, Peacher, Gabby, B.A, Bach, Joel, Ph.D, McCarty, Eric, M.D

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The Anti‐Organization man: D onald E. Westlake's Parker novels von Snyder, Robert Lance

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The Anti‐Organization man: Donald E. Westlake's Parker novels von Snyder, Robert Lance

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On the Road Again: James Sallis’s Neo-Noir Fiction von Snyder, Robert Lance

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Noir Angst: Dorothy B. Hughes's Dread Journey von Snyder, Robert Lance

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"Shadow of Abandonment": Graham Greene's The Confidential Agent von Snyder, Robert Lance

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Victorian Noir: Cornell Woolrich's Waltz into Darkness von Snyder, Robert Lance

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Playing It Double: Dan Fesperman’s Metafictional Tribute von Snyder, Robert Lance

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Corporatism and Chronometrics in Kenneth Fearing's The Big Clock von Snyder, Robert Lance

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American patricians: Charles McCarry’s mythic family saga von Snyder, Robert Lance

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American patricians von Snyder, Robert Lance

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Seriality and Female Spies: Reading Stella Rimington von Snyder, Robert Lance

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Realigning Literary Noir: Dorothy B. Hughes's Ride the Pink Horse and The Expendable Man von Snyder, Robert Lance

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Cultural Relativism and "Our Way of Life": Patricia Highsmith's The Tremor of Forgery von Snyder, Robert Lance

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Entropic Disintegration: Jim Thompson’s The Killer Inside Me, Savage Night, and A Hell of a Woman von Snyder, Robert Lance

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