Variations of a Story: A Narrative and Literary Comparison of Johann Peter Hebel’s Unexpected Meeting and E.T.A. Hoffmann’s The Mines of Falun von Scullion, Val

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Seeing Things Anew: Hoffmann’s Don Juan: A Fabulous Incident Which Befell a Travelling Enthusiast and Gogol’s The Portrait von Scullion, Val, Treby, Marion

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Feline Affinities Between E.T.A. Hoffmann’s The Life and Opinions of the Tomcat Murr and Natsume Sōseki’s I Am a Cat von Scullion, Val, Treby, Marion

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The Romantic Context of E. T. A. Hoffmann’s Fairy Tales, The Golden Pot, The Strange Child and The Nutcracker and the Mouse King von Scullion, Val, Treby, Marion

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The Irascible Heroine in E.T.A. Hoffmann’s Fairy Tale, “Princess Brambilla: A Capriccio in the Style of Jacques Callot” von Scullion, Val, Treby, Marion

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Devilish dynamics: fairy tale, dream, art, and dance in E.T.A. Hoffmann's 'New Year's Eve Adventure' von Scullion, Val, Treby, Marion

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Repressive Politics and Satire in E. T. A. Hoffmann’s Fairy-tales, “Little Zaches Acclaimed as Zinnober” and “Master Flea” von Scullion, Val, Treby, Marion

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Devilish Dynamics: Fairy Tale, Dream, Art, and Dance in E. T. A. Hoffmann's “New Year's Eve Adventure” von Scullion, Val, Treby, Marion

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‘Kinaesthetic, Spastic and Spatial Motifs as Expressions of Romantic Irony in E.T.A. Hoffmann’s The Sandman and Other Writings von Scullion, Val

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Creative Synaesthesia in E. T. A. Hoffmann’s Ritter Gluck von Scullion, Val, Treby, Marion

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Creative synaesthesia in E.T.A. Hoffmann's Ritter Gluck von Scullion, Val, Treby, Marion

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