Anxiety, Angst, and the Search for Hardy's Chinese Tw[a]in von Qi, Shouhua

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Chastening Desire: Chinese Adaptations of Eugene O'Neill's Desire Under the Elms von Qi, Shouhua

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(Mis)reading Ibsen: Chinese Noras On and Off the Stage and Nora in Her Chinese Husband's Ancestral Land of the 1930s as Reimagined for the Globalized World Today von Qi, Shouhua

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Total Heroism: Reinterpreting Sartre's Morts sans sépulture (The Victors) for the Chinese Stage von QI, SHOUHUA, ZHANG, WEI

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Tragedy, No Tragedy, and Tragedy with Chinese Characteristics? One Hundred Years of Debate with a ‘Happy Ending’ von Chen, Jun, Qi, Shouhua

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Tragic hero and hero tragedy: reimagining Oedipus the King as Jingju (Peking opera) for the Chinese stage von Qi, Shouhua, Zhang, Wei

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Tragic hero and hero tragedy: reimagining Oedipus the Kin g as Jingju (Peking opera) for the Chinese stage von Qi, Shouhua, Zhang, Wei

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The Evidence von Shouhua Qi

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The Evidence von Qi, Shouhua

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The Evidence von Qi, Shouhua

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The evidence von Qi, Shouhua

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The evidence von Qi, Shouhua

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The evidence von Qi, Shouhua

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The evidence von Qi, Shouhua

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The evidence von Qi, Shouhua

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The evidence von Qi, Shouhua

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The evidence von Qi, Shouhua

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Translation and Transmutation: Hardy in the Post-Mao, Market-Driven China von QI, SHOUHUA

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Experimental study on dynamic elastic parameters of coal samples von Wu, Haibo, Dong, Shouhua, Li, Donghui, Huang, Yaping, Qi, Xuemei

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Love Me, Love My Dog von Qi, Shouhua

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