‘My maine hope is, to begin the sport at Millaine’: Italy in Philip Massinger’s The Duke of Milan von Paravano, Cristina

Volltext

“The guy who wrote Romeo and Juliet”: Shakespeare and Young Adult fiction von Paravano, Cristina

Volltext

‘After the fashion of Italy’: Richard Brome and Italian culture von Paravano, Cristina

Volltext

“The devil looks ten times worse with a white face”: Colours in Richard Brome’s The English Moor von PARAVANO, Cristina

Volltext

Real and metaphorical hunger: the case of The Divergent Trilogy von Paravano, Cristina

Volltext

‘I have aym’d my black shafts at white markes’: Colours in The Queen of Corinth von Paravano, Cristina

Volltext

The Influence of Ariosto’s Orlando Furioso on Fletcher and Massinger’s The Sea Voyage von Paravano, Cristina

Volltext

Roberta Mullini, Più del bronzo: Voci della poesia inglese della Grande Guerra von Paravano, Cristina

Volltext

A New Source for Philip Massinger’s The Great Duke of Florence (1627) von Paravano, Cristina

Volltext

Roméo et Juliette: de la Haine à l'Amour: A Controversial Adaptation von Paravano, Cristina

Volltext

The Influence of Philip Massinger’s The Maid of Honour on The Roman Actor von Paravano, Cristina

Volltext

“Remembrance of things past”: Classical and Renaissance echoes in Philip Massinger’s The Roman Actor von Paravano, Cristina

Volltext

Echoes From Statius in Massinger’s The Roman Actor (1626) von Paravano, Cristina

Volltext

Will forever young! Shakespeare Contemporary Culture von Mariacristina Cavecchi, Cristina Paravano, Margaret Rose

Volltext

‘Reappropriating’ Romeo and Juliet: the Play Restored to Italy von Paravano, Cristina

Volltext

Renaissance Drama: Excluding Shakespeare von Paravano, Cristina, Ragni, Cristiano, Enjo, Yuri

Volltext

VIIIRenaissance Drama: Excluding Shakespeare von Fell, Christopher, Paravano, Cristina, Ragni, Cristiano, Enjo, Yuri

Volltext

The Space of Identity and the Identity of Space in "The City Wit" by Richard Brome von Paravano, Cristina

Volltext

ExpoShakespeare: il sommo gourmet, il cibo e i cannibali

Volltext

1. La syntaxe du discours direct en anglais / 2. “The Dyer’s Hand”: Colours in Early Modern England von BEAUREGARD, Raphaëlle COSTA DE, BOILEAU, Nicolas Pierre, BUTLER, Anita, CECCALDI-HAMET, Aurélie, CHIARI, Sophie, CONNOLLY, Annaliese, COQUET-MOKOKO, Cécile, COSTANTINI-CORNEDE, Anne-Marie, COTTENET, Cécile, COULOMB, Olivia, DUCROUX, Amélie, DULAC, Anne-Valérie, GEOFFROY, Anne, GOURNAY, Lucie, GREAVES, Sara R, HANOTE, Sylvie, HICKEY, Helen, HOPKINS, Lisa, JOUVE, Emeline, LACAZE, Grégoire, LOUVIOT, Élise, NITA, Raluca, OKI-SIEKIERCZAK, Ayami, PARAVANO, Cristina, PEIRANO, Pierre-François, PITTIN-HEDON, Marie-Odile, SABATIER, Armelle, SCHÜTZ, Chantal, VIGNERON-BOSBACH, Jeanne, WANNINGER, Natascha

Volltext