Treffer 1 - 20 von 61 für Suche 'Ossi, Massimo', Suchdauer: 0,98s Treffer weiter einschränken
  1. 1
    Claudio Monteverdi: The Combat of Tancred and Clorinda. Between Mannerism and the Baroque by Pavel Sýkora (review)

    Claudio Monteverdi: The Combat of Tancred and Clorinda. Between Mannerism and the Baroque by Pavel Sýkora (review) von Ossi, Massimo

    Veröffentlicht in Music & letters

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  2. 2
    THE FIRST VOLUME IN THE NEW GESUALDO EDITION

    THE FIRST VOLUME IN THE NEW GESUALDO EDITION von Ossi, Massimo


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  3. 3
    Review: Curious and Modern Inventions: Instrumental Music as Discovery in Galileo's Italy, by Rebecca Cypess

    Review: Curious and Modern Inventions: Instrumental Music as Discovery in Galileo's Italy, by Rebecca Cypess von Ossi, Massimo


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  4. 4
    Madrigali a cinque voci by Carlo Gesualdo Principe di Venosa (review)

    Madrigali a cinque voci by Carlo Gesualdo Principe di Venosa (review) von Ossi, Massimo


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  5. 5
    Sources of Identity: Makers, Owners, and Users of Music Sources before 1600 . Lisa Colton and Tim Shephard, eds. Collection “Épitome musical.” Turnhout: Brepols, 2017. 340 pp. €55

    Sources of Identity: Makers, Owners, and Users of Music Sources before 1600 . Lisa Colton and Tim Shephard, eds. Collection “Épitome musical.” Turnhout: Brepols, 2017. 340 pp. €55... von Ossi, Massimo

    Veröffentlicht in Renaissance quarterly

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  6. 6
    Monteverdi’s ‘Zefiro torna e ’l bel tempo rimena’ as hypertext

    Monteverdi’s ‘Zefiro torna e ’l bel tempo rimena’ as hypertext von Ossi, Massimo

    Veröffentlicht in Early music

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  7. 7
    Musical Representation and Vivaldi’s Concerto Il Proteo, ò Il mondo al rovverscio, RV 544/572

    Musical Representation and Vivaldi’s Concerto Il Proteo, ò Il mondo al rovverscio, RV 544/572 von OSSI, MASSIMO


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  8. 8
    Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440–1530. Tim Shephard. Oxford: Oxford University Press, 2014. xii + 170 pp. $49.95

    Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440–1530. Tim Shephard. Oxford: Oxford University Press, 2014. xii + 170 pp. $49.95 von Ossi, Massimo

    Veröffentlicht in Renaissance quarterly

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  9. 9
    Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence. Tim Carter and Richard A. Goldthwaite. I Tatti Studies in Italian Renaissance History. Cambridge, MA: Harvard University Press, 2013. xiv + 480 pp. $49.95

    Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence. Tim Carter and Richard A. Goldthwaite. I Tatti Studies in Italian Renaissance History. Cambrid... von Ossi, Massimo

    Veröffentlicht in Renaissance quarterly

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  10. 10
    Venus in the House of Mars: Martial Imagery in Monteverdi's "Madrigali guerrieri et amorosi" (1638)

    Venus in the House of Mars: Martial Imagery in Monteverdi's "Madrigali guerrieri et amorosi" (1638) von Ossi, Massimo


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  11. 11
    Monteverdi, Marenzio, and Battista Guarini's ‘Cruda Amarilli’

    Monteverdi, Marenzio, and Battista Guarini's ‘Cruda Amarilli’ von Ossi, Massimo

    Veröffentlicht in Music & letters

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  12. 12
    "Pardon me, but your teeth are in my neck": Giambattista Marino, Claudio Monteverdi, and thebacio mordace

    "Pardon me, but your teeth are in my neck": Giambattista Marino, Claudio Monteverdi, and thebacio mordace von Ossi, Massimo


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  13. 13
    "Pardon me, but your teeth are in my neck": Giambattista Marino, Claudio Monteverdi, and the bacio mordace

    "Pardon me, but your teeth are in my neck": Giambattista Marino, Claudio Monteverdi, and the bacio mordace von Ossi, Massimo


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  14. 14
    Review: Monteverdi's Tonal Language by Eric Chafe; The Song of the Soul: Understanding Poppea by Iain Fenlon, Peter N. Miller

    Review: Monteverdi's Tonal Language by Eric Chafe; The Song of the Soul: Understanding Poppea by Iain Fenlon, Peter N. Miller von Ossi, Massimo


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  15. 15
    Messa, e salmi concertati, op. 4 (1639)

    Messa, e salmi concertati, op. 4 (1639) von Ossi, Massimo


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  16. 16
    Claudio Monteverdi's "Ordine novo, bello et gustevole": The Canzonetta as Dramatic Module and Formal Archetype

    Claudio Monteverdi's "Ordine novo, bello et gustevole": The Canzonetta as Dramatic Module and Formal Archetype von Ossi, Massimo


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  17. 17
    Claudio Monteverdi's Ordine novo, bello et gustevole: The Canzonetta as Dramatic Module and Formal Archetype

    Claudio Monteverdi's Ordine novo, bello et gustevole: The Canzonetta as Dramatic Module and Formal Archetype von Ossi, Massimo


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  18. 18
    The Combat of Tancred and Clorinda. Between Mannerism and the Baroque . By Pavel Sýkora

    The Combat of Tancred and Clorinda. Between Mannerism and the Baroque . By Pavel Sýkora von Ossi, Massimo

    Veröffentlicht in Music & letters

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  19. 19
    Complete Madrigals Volume 1: Il primo libro de madrigali a cinque voici. Volume 2: Madrigali a cinque voci di Gio. Maria Nanino et di Annibale Stabile (1581) and Madrigals Published Only in Anthologies 1574–1586. Volume 3: Il terzo libro de madrigali a cinque voci (1586) and Madrigals First Published in Anthologies, 1588-1610

    Complete Madrigals Volume 1: Il primo libro de madrigali a cinque voici. Volume 2: Madrigali a cinque voci di Gio. Maria Nanino et di Annibale Stabile (1581) and Madrigals Publishe... von Ossi, Massimo

    Veröffentlicht in Revue de musicologie

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  20. 20
    Curious and Modern Inventions: Instrumental Music as Discovery in Galileo’s Italy

    Curious and Modern Inventions: Instrumental Music as Discovery in Galileo’s Italy von OSSI, MASSIMO


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