Music communicates social emotions: Evidence from 750 music excerpts von Pring, Elliot X., Olsen, Kirk N., Mobbs, Anthony E. D., Thompson, William Forde

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What Constitutes a Phrase in Sound-Based Music? A Mixed-Methods Investigation of Perception and Acoustics von Olsen, Kirk N, Dean, Roger T, Leung, Yvonne

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Investigating the Role of the Primary Motor Cortex in Musical Creativity: A Transcranial Direct Current Stimulation Study von Anic, Aydin, Olsen, Kirk N, Thompson, William Forde

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Listener Expertise Enhances Intelligibility of Vocalizations in Death Metal Music von Olsen, Kirk N., Thompson, William Forde, Giblin, Iain

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Passion for Violently Themed Music and Psychological Well-Being: A Survey Analysis von Powell, Merrick, Olsen, Kirk N, Vallerand, Robert J, Thompson, William Forde

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Psychosocial risks and benefits of exposure to heavy metal music with aggressive themes: Current theory and evidence von Olsen, Kirk N., Terry, Josephine, Thompson, William Forde

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Music, Pleasure, and Meaning: The Hedonic and Eudaimonic Motivations for Music (HEMM) Scale von Powell, Merrick, Olsen, Kirk N, Thompson, William Forde

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A “looming bias” in spatial hearing? Effects of acoustic intensity and spectrum on categorical sound source localization von McCarthy, Lisa, Olsen, Kirk N.

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The effects of cultural source sensitivity on music appreciation von Chilvers, Alex, Quan, Yixue, Olsen, Kirk N, Thompson, William Forde

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Does music help regulate depressive symptoms for fans of violently themed music? von Powell, Merrick, Olsen, Kirk N, Thompson, William Forde

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Virtual reality lifeguarding scenarios as a potential training solution for pool lifeguards von Lim, David, Wiggins, Mark, Porte, Meredith, Bayl-Smith, Piers, Curby, Kim M., Olsen, Kirk N., Taylor, Melanie

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On the enjoyment of violence and aggression in music. Comment on “An integrative review of the enjoyment of sadness associated with music” by Tuomas Eerola et al von Thompson, William Forde, Olsen, Kirk N.

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Correction to: Psychosocial risks and benefits of exposure to heavy metal music with aggressive themes: Current theory and evidence von Olsen, Kirk N., Terry, Josephine, Thompson, William Forde

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Rich Intercultural Music Engagement Enhances Cultural Understanding: The Impact of Learning a Musical Instrument Outside of One's Lived Experience von Li, Marjorie G, Olsen, Kirk N, Davidson, Jane W, Thompson, William Forde

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Understanding the attraction to music containing violent themes: A qualitative analysis von Powell, Merrick, Olsen, Kirk N., Davidson, Jane, Thompson, William Forde

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Openness to World Music Predicts Adaptation to a New Culture among Student Sojourners von Quan, Yixue, Olsen, Kirk N., Ma, Weiyi, Thompson, William Forde

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Resilient memory for melodies: The number of intervening melodies does not influence novel melody recognition von Herff, Steffen A, Olsen, Kirk N, Dean, Roger T

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Memory for melodies in unfamiliar tuning systems: Investigating effects of recency and number of intervening items von Herff, Steffen A, Olsen, Kirk N, Dean, Roger T, Prince, Jon

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Loudness Change in Response to Dynamic Acoustic Intensity von Olsen, Kirk N, Stevens, Catherine J, Tardieu, Julien

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A Continuous Measure of Musical Engagement Contributes to Prediction of Perceived Arousal and Valence von Olsen, Kirk N., Dean, Roger T., Stevens, Catherine J.

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