The Fact of Resonance: Modernist Acoustics and Narrative Form von Napolin, Julie Beth

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Sound Theory at Grand Theory’s End von Napolin, Julie Beth

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Outside In: Chorus and Clearing in the Time of Pandemic and Protest von Napolin, Julie Beth

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The Fact of Resonance: An Acoustics of Determination in Faulkner and Benjamin von Napolin, Julie Beth

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Future Anterior Witness: Women’s Voices Narrating Black Death von Napolin, Julie Beth

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Hello Stranger: Ellipsis and Song in Barry Jenkins’s Moonlight von Napolin, Julie Beth

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A Sinister Resonance: Vibration, Sound, and the Birth of Conrad's Marlow von Napolin, Julie Beth

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Surface Listening: Free Association and Recitation in the Wooster Group's The B-Side: "Negro Folklore from Texas State Prisons" A Record Album Interpretation von Napolin, Julie Beth

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Music's Unseen Body: Conrad, Cowell, Du Bois and von Napolin, Julie Beth

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Music's Unseen Body: Conrad, Cowell, Du Bois and the Beginnings of American Experimental Music von NAPOLIN, JULIE BETH

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The fact of resonance: modernist acoustics and narrative form von Napolin, Julie Beth

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A Sinister Resonance von Napolin, Julie Beth

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Editorial Note von Nisetich, Rebecca S, Lester, Cheryl, Napolin, Julie Beth, Dunkel, Solveig, Wilson, Laura, Jackson, Angus, Wilson, Lily

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Editorial Note von Nisetich, Rebecca S., Lester, Cheryl, Napolin, Julie Beth, Dunkel, Solveig, Wilson, Laura, Jackson, Angus, Wilson, Lily

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Editorial Note von Nisetich, Rebecca S, Lester, Cheryl, Napolin, Julie Beth, Dunkel, Solveig, Wilson, Laura, Jackson, Angus, Wilson, Lily

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Coda: Literary History as Miscegenating Sound: The Sound and the Fury von Napolin, Julie Beth

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Overture: The Sound of a Novel von Napolin, Julie Beth

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Coda: Chantal Akerman and Lip Sync as Postcolonial Strategy von Napolin, Julie Beth

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Voice at the Threshold of the Audible: Free Indirect Discourse and the Colonial Space of Reading von Napolin, Julie Beth

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Reprise: Reverberation, Circumambience, and Form-Seeking Sound (Absalom, Absalom!) von Napolin, Julie Beth

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