The medium is the monster: Canadian adaptations of Frankenstein and the discourse of technology von McCutcheon, Mark A

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Stephen Harper as Killer Robot von McCutcheon, Mark A

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The dj as Critic, “constructing a sort of argument” von McCutcheon, Mark A

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The Cento, Romanticism, and Copyright von McCutcheon, Mark A

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Cynicism, the Heuristic Pharmakon von McCutcheon, Mark A

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"To Skip or Not to Skip": Shakespearean Romanticism and Curricular Genderpellation in Canadian Popular Culture von McCutcheon, Mark A.

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Reading Poetry and Its Paratexts for Evidence of Fair Dealing von McCutcheon, Mark A.

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Ipsographing the Dubject; or, The Contradictions of Twitter von McCutcheon, Mark A

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Techno, Frankenstein and copyright von McCUTCHEON, MARK A.

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“The Web of Our Life is of a Mingled Yarn”: The Canadian Adaptations of Shakespeare Project, Humanities Scholarship, and ColdFusion von Fischlin, Daniel, Hadfield, Dorothy, Lester, Gordon, McCutcheon, Mark A

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Fair dealing: We’ve got it, let’s use it von McCutcheon, Mark A.

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Introduction to Part Two of New Fronts in the Copyfight von McCutcheon, Mark A.

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Frankenstein and the Reinvention of “Technology” von McCutcheon, Mark A

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Introduction: Copyright Concerns all Academics von McCutcheon, Mark A.

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Is It Live or Is It Deadmau5? Pattern Amplification in Canadian Electronic Dance Music von McCutcheon, Mark A

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Monstrous Adaptations: McLuhanesque Frankensteins in Neuromancer and Videodrome von McCutcheon, Mark A

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Refocusing Adaptation Studies von McCutcheon, Mark A

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“Technology Implies Belligerence” Pattern Propagation in Canadian Science Fiction von McCutcheon, Mark A

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The Medium Is the Monster: McLuhan’s “Frankenpheme” of Technology von McCutcheon, Mark A

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Technology, Frankenstein, and . . . Canada? von McCutcheon, Mark A

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