Histories of Australian Rock Art Research von Frederick, Ursula K, May, Sally K, McDonald, Jo, Taçon, Paul S. C

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Navigating Contact: Tradition and Innovation in Australian Contact Rock Art von Frieman, Catherine, May, Sally K.

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Children and Rock Art: A Case Study from Western Arnhem Land, Australia von Goldhahn, Joakim, May, Sally K., Maralngurra, Josie Gumbuwa, Lee, Jeffrey

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Kaparlgoo Blue: On the Adoption of Laundry Blue Pigment into the Visual Culture of Western Arnhem Land, Australia von Miller, Emily, May, Sally K., Goldhahn, Joakim, Taçon, Paul S. C., Cooper, Victor

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The re-emergence of nganaparru (water buffalo) into the culture, landscape and rock art of western Arnhem Land von May, Sally K., Tacon, Paul S. C., Jalandoni, Andrea, Goldhahn, Joakim, Wesley, Daryl, Tsang, Roxanne, Mangiru, Kenneth

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Symbols of Power: The Firearm Paintings of Madjedbebe (Malakunanja II) von May, Sally K., Wesley, Daryl, Goldhahn, Joakim, Litster, Mirani, Manera, Brad

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Rock Art and (Re)Production of Narratives: A Cassowary Bone Dagger Stencil Perspective from Auwim, East Sepik, Papua New Guinea von Tsang, Roxanne, Katuk, Sebastien, May, Sally K., Taçon, Paul S.C., Ricaut, François-Xavier, Leavesley, Matthew G.

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Survival, Social Cohesion and Rock Art: The Painted Hands of Western Arnhem Land, Australia von May, Sally K., Taylor, Luke, Frieman, Catherine, Taçon, Paul S.C., Wesley, Daryl, Jones, Tristen, Goldhahn, Joakim, Mungulda, Charlie

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Extraordinary Back-to-Back Human and Animal Figures in the Art of Western Arnhem Land, Australia: One of the World's Largest Assemblages von Taçon, Paul S.C., May, Sally K., Goldhahn, Joakim, Taylor, Luke, Brady, Liam M., Ressel, Alex, Jalandoni, Andrea, Wesley, Daryl, Maralngurra, Gabriel

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Hand stencils and communal history: A case study from Auwim, East Sepik, Papua New Guinea von Tsang, Roxanne, Katuk, Sebastien, May, Sally K., Taçon, Paul S.C., Ricaut, François‐Xavier, Leavesley, Matthew G.

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What painting? Encountering and interpreting the archaeological record in western Arnhem Land, northern Australia von BRADY, LIAM M., MAY, SALLY K., GOLDHAHN, JOAKIM, TAÇON, PAUL S.C., LAMILAMI, PATRICK

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Early Australian Anthropomorphs: Jabiluka's Dynamic Figure Rock Paintings von May, Sally K., Johnston, Iain G., Taçon, Paul S.C., Domingo Sanz, Inés, Goldhahn, Joakim

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Memorialization and the Stencilled Rock Art of Mirarr Country, Northern Australia von Hayward, John A., Johnston, Iain G., May, Sally K., Taçon, Paul S.C.

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Uranium-series age estimates for rock art in southwest China von Taçon, Paul S.C., Aubert, Maxime, Gang, Li, Decong, Yang, Hong, Liu, May, Sally K., Fallon, Stewart, Xueping, Ji, Curnoe, Darren, Herries, Andy I.R.

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The audience and the message: Nayombolmi’s bark paintings from western Arnhem Land, Australia von Goldhahn, Joakim, May, Sally K., Lee, Jeffrey

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Naturalism, Nature and Questions of Style in Jinsha River Rock Art, Northwest Yunnan, China von Taçon, Paul S.C., Gang, Li, Decong, Yang, May, Sally K., Hong, Liu, Aubert, Maxime, Xueping, Ji, Curnoe, Darren, Herries, Andy I.R.

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The Bible in Buffalo Country: Oenpelli Mission 1925–1931 von May, Sally K, Nadjamerrek, Donna, Narndal Gumurdul, Julie, Rademaker, Laura

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Macassan History and Heritage : Journeys, Encounters and Influences von Clark, Marshall, May, Sally K

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Beyond the colonial encounter: global approaches to contact rock art studies von Goldhahn, Joakim, May, Sally K.

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Boats on Bark: an Analysis of Groote Eylandt Aboriginal Bark-Paintings featuring Macassan Praus from the 1948 Arnhem Land Expedition, Northern Territory, Australia von May, Sally K., Mckinnon, Jennifer F., Raupp, Jason T.

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