A Turn at the Top: Valid or Invalid Alteration of Script in Albee's Direction of Beckett? von Luere, Jeane

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A Market For Monologue? von Luere, Jeane

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Objectivity in the Growth of a Pulitzer: Edward Albee's "Three Tall Women" von LUERE, JEANE

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Terror and Violence in Edward Albee: From "Who's Afraid of Virginia Woolf?" to "Marriage Play" von Luere, Jeane

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Praxis: An Editorial Statement von Neely, Kent, Joseph, May, Luere, Jeane, Kowsar, Mohammad

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Performance review: Sand von Luere, Jeane

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Theatre Review: Three Tall Women von Luere, Jeane

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Theatre Review: Heaven's Hard von Luere, Jeane

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Theatre Review: The Man Who Had Three Arms von Luere, Jeane

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Sand von Luere, Jeane

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PLAY REVIEWS von Cook, Rena, Brandesky, Joseph, Kelso, Susan E, Taylor, Robert, Vincent, Michael, Luere, Jeane, Shafer, Yvonne

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Three Tall Women von Luere, Jeane

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Heaven's Hard von Luere, Jeane

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The Man Who Had Three Arms von Luere, Jeane

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THEATRE REVIEW von Pinkney, Mikell, Robinson, Amy, Wolf, Stacy, Peterson, Michael, Foley, Kathy, Gerland, Oliver, Barker, Stephen, Brady, Owen E, Zinman, Toby Silverman, Sterling, Wallace, Dieckman, Suzanne Burgoyne, Markus, Tom, Luere, Jeane

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PERFORMANCE REVIEW von Suntree, Susan, Faux, Marian, Luere, Jeane, Diamond, Catherine, Cummings, Scott T, Fletcher, Anne, Callaghan, David, Gross, Robert F

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THEATRE REVIEW von Kruger, Loren, Flèche, Anne, Rothman Vojta, Barbara, Luere, Jeane, Clapp, Robert, Hankins, Jerome, Shaland, Irene, Miller, David, Kowsar, Mohammad, Orlowski, Maria B

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THEATRE REVIEW von Carlson, Marvin, Burgoyne Diekman, Suzanne, Vineberg, Steve, McLennan, Kathleen A, Berg, Fredric, Over, William, Luere, Jeane, Hart, Steven, Waren, Stanley A

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