“Whether it has a certain musical form, maybe no one cares, except for some people”: George E. Lewis, Sean Griffin, and Catherine Sullivan talk with Alexander K. Rothe about Afterw... von Lewis, George E, Sullivan, Catherine, Griffin, Sean, Rothe, Alexander K

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Too Many Notes: Computers, Complexity and Culture in "Voyager" von Lewis, George E.

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A Subsumption Agent for Collaborative Free Improvisation von Linson, Adam, Dobbyn, Chris, Lewis, George E., Laney, Robin

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Improvisation and Social Aesthetics von Georgina Born, Eric Lewis, Will Straw

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In Search of Benjamin Patterson: An Improvised Journey von Lewis, George E

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Critical Responses to “Theorizing Improvisation (Musically)” von Lewis, George E.

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Foreword: After Afrofuturism von LEWIS, GEORGE E.

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Editorial Introduction von Lewis, George E

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The Virtual Discourses of Pamela Z von LEWIS, GEORGE E.

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Editorial Introduction von LEWIS, GEORGE E., CALICO, JOY H.

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Editorial Introduction von Lewis, George E, Calico, Joy H

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Editorial Introduction von Lewis, George E, Calico, Joy H

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Editorial Introduction von Lewis, George E, Calico, Joy H

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Improvised Music after 1950: Afrological and Eurological Perspectives von Lewis, George E.

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Gittin' to Know Y'all: Improvised Music, Interculturalism and the Racial Imagination von Lewis, George E.

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Editorial Introduction

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IN SEARCH OF BENJAMIN PATTERSON: An Improvised Journey von Lewis, George E.

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Colloquy: Studying U.S. Music in the Twenty-First Century - Americanist Musicology and Nomadic Noise von Lewis, George E

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Americanist Musicology and Nomadic Noise von Lewis, George E

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Experimental Music in Black and White: The AACM in New York, 1970-1985 von Lewis, George E

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