The "Maruelous" Play of Marcus's Rhetorical Artifice in "Titus Andronicus" von Kumamoto, Chikako D.

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“Patens of bright gold” in “this muddy vesture of decay”: Jessica’s Name as Shakespeare’s Paradoxical Engagement with the Other in The Merchant of Venice von Kumamoto, Chikako D

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“Peace, Count the Clock”: Shakespeare’s Humanist Usage of Anachronism in Julius Caesar von Kumamoto, Chikako D

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Bakhtin's Others and Writing as Bearing Witness to the Eloquent "I" von Kumamoto, Chikako D.

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Magic and the Early Schoolroom of Humanist Learning in The Tempest von Kumamoto, Chikako D, Emeritus

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Time and Stage Directions in Quarto 1 and Quarto 2 of Romeo and Juliet von Kumamoto, Chikako D

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Prince Hamlet, Please Meet Mr. Philip Marlowe: English Renaissance Revenge Drama and the Contemporary Mystery Novel von Kumamoto, Chikako D.

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"Some Wonder in This Handkerchief": Magic, Early Modern Good Medicine, and Othello's Strange Difference von Kumamoto, Chikako D

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Shakespeare’s Achillean Coriolanus and Heraean Volumnia: Textual Contamination and Crossing of Homer’s Iliad in Coriolanus von Kumamoto, Chikako D

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Gertrude, Ophelia, Ghost: Hamlet's Revenge and the Abject von Kumamoto, Chikako D

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Bakhtin’s Others and Writing As Bearing Witness to the Eloquent “I” von Kumamoto, Chikako D.

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