A syncing feeling: reductions in physiological arousal in response to observed social synchrony von Kragness, Haley E, Cirelli, Laura K

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Infant attention to rhythmic audiovisual synchrony is modulated by stimulus properties von Cirelli, Laura K, Talukder, Labeeb S, Kragness, Haley E

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Tiny Dancers: Effects of Musical Familiarity and Tempo on Children's Free Dancing von Kragness, Haley E., Ullah, Farhat, Chan, Emma, Moses, Rachel, Cirelli, Laura K.

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Developmental considerations in children’s song exposure: A commentary on Verosky (2022) von Kragness, Haley E.

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Body sway reflects joint emotional expression in music ensemble performance von Chang, Andrew, Kragness, Haley E., Livingstone, Steven R., Bosnyak, Dan J., Trainor, Laurel J.

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A concert for babies: Attentional, affective, and motor responses in an infant audience von Kragness, Haley E., Berezowska, Bryna, Cirelli, Laura K.

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Predictive Uncertainty Underlies Auditory Boundary Perception von Hansen, Niels Chr, Kragness, Haley E., Vuust, Peter, Trainor, Laurel, Pearce, Marcus T.

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Nonmusicians Express Emotions in Musical Productions Using Conventional Cues von Kragness, Haley E., Trainor, Laurel J.

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Musical groove shapes children's free dancing von Kragness, Haley E., Anderson, Lucy, Chow, Ester, Schmuckler, Mark, Cirelli, Laura K.

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The Musical Ear Test: Norms and correlates from a large sample of Canadian undergraduates von Swaminathan, Swathi, Kragness, Haley E., Schellenberg, E. Glenn

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The song, not the singer: Infants prefer to listen to familiar songs, regardless of singer identity von Kragness, Haley E., Johnson, Elizabeth K., Cirelli, Laura K.

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Individual differences in musical ability are stable over time in childhood von Kragness, Haley E., Swaminathan, Swathi, Cirelli, Laura K., Schellenberg, E. Glenn

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Young Children Pause on Phrase Boundaries in Self-Paced Music Listening: The Role of Harmonic Cues von Kragness, Haley E, Trainor, Laurel J

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Body sway predicts romantic interest in speed dating von Chang, Andrew, Kragness, Haley E, Tsou, Wei, Bosnyak, Dan J, Thiede, Anja, Trainor, Laurel J

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Musical Reward in Young Children von Kragness, Haley E., Mehl, Kendra, Belfi, Amy M.

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Evidence for early arousal‐based differentiation of emotions in children’s musical production von Kragness, Haley E., Eitel, Matthew J., Baksh, Ammaarah M., Trainor, Laurel J.

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Listeners Lengthen Phrase Boundaries in Self-Paced Music von Kragness, Haley E., Trainor, Laurel J.

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An itsy bitsy audience: Live performance facilitates infants’ attention and heart rate synchronization von Kragness, Haley E., Eitel, Matthew J., Anantharajan, Faith, Gaudette-Leblanc, Aimée, Berezowska, Bryna, Cirelli, Laura K.

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Conference Report: 9th Annual NeuroMusic Conference, Modeling the Musical Experience von Kragness, Haley E

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Developmental considerations in children's song exposure: A commentary on Verosky (2022) von Kragness, Haley E

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