Who does what? On the roles of the violoncello and double bass in the performance of Handel's recitatives von King, Richard G.

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Dissecting passions von King, Richard G.

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‘How to be an emperor’: acting Alexander the Great in opera seria von King, Richard G.

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Who does what? On the roles of the violoncello and double bass in the performance of Handel recitatives von King, Richard G

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The First “Abduction” Opera: Lewis Theobald's and John Ernest Galliard's The Happy Captive (1741) von King, Richard G.

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JOHN CHRISTOPHER SMITH’S PASTICCIO ORATORIOS von King, Richard G.

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CLASSICAL HISTORY AND HANDEL'S ‘ALESSANDRO’ von King, Richard G.

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New Light on Handel's Musical Library von King, Richard G.

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The Fonds Schoelcher: History and Contents von King, Richard G.

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The Riehman Family of Court Musicians and Composers von King, Richard G.

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C. E. Graf's Music for the Consecration of the Martinikerk Organ at Bolsward (1781) von King, Richard G.

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Giovanni Francesco Crosa and the First Italian Comic Operas in London, Brussels and Amsterdam, 1748-50 von King, Richard G., Willaert, Saskia

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HANDEL'S TRAVELS IN THE NETHERLANDS IN 1750 von King, Richard G.

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THE PROCESS OF PRODUCING FOOD SUPPLEMENT FROM PILI OIL von ANDAL, Leonil M, KING, Richard G

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THE PROCESS OF PRODUCING FOOD SUPPLEMENT FROM PILI OIL von ANDAL, Leonil M, KING, Richard G

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Review: A Catalogue of Handel's Musical Autographs by Donald Burrows, Martha J. Ronish von King, Richard G.

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A Catalogue of Handel's Musical Autographs . Donald Burrows , Martha J. Ronish von King, Richard G.

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Acis and Galatea (1. Fassung), HWV 49a von King, Richard G.

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Education in Central America . George R. Waggoner , Barbara Ashton Waggoner von King, Richard G.

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A Catalogue of Handel's Musical Autographs von King, Richard G.

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