High-Tech Trash: Glitch, Noise, and Aesthetic Failure von Kane, Carolyn L

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Neon visions: from techno-optimism to urban vice von Kane, Carolyn L

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Chromophobia in the ‘Smart’ City von Kane, Carolyn L

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Review of Artificial Whiteness: Politics and Ideology in Artificial Intelligence von Kane, Carolyn L., Dryer, Theordora

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The synthetic color sense of Pipilotti Rist, or, Deleuzian color theory for electronic media art von Kane, Carolyn L.

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The Tragedy of Radical Subjectivity: From "Radical Software" to Proprietary Subjects von Kane, Carolyn L.

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Opulent Servitude: Shoplifting in a Culture of Material Excess and Systemic Racism von Holtz Schramek, Evangeline, Kane, Carolyn L.

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Programming the Beautiful: Informatic Color and Aesthetic Transformations in Early Computer Art von Kane, Carolyn L.

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Synthetic Fluorescents: Day-Glo from Novelty to Norm von Kane, Carolyn L.

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Exhaustion Aesthetics von Kane, Carolyn L

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Digital Art and Experimental Color Systems at Bell Laboratories, 1965–1984: Restoring Interdisciplinary Innovations to Media History von Kane, Carolyn L.

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High-Tech Trash: Glitch, Noise, and Aesthetic Failure von Kane, Carolyn L

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Speaking Into the iPhone: An Interview With John Durham Peters, or, Ghostly Cessation for the Digital Age von Kane, Carolyn L., Durham Peters, John

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RESPONSE BY CAROLYN L. KANE: TOWARDS A FEMINIST MEDIA HISTORY von KANE, CAROLYN L.

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Cotton Capital von Carolyn L. Kane, Jessica Hupalo

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The X-Ray Sublime von Kane, Carolyn L

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Color as Signal/Noise von Kane, Carolyn L

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Avant-Garde Glitch: Red Noise, Purple Haze, Black Box von Kane, Carolyn L

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Chroma Glitch: Data as Style von Kane, Carolyn L

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Visual Noise in the New Photography von Kane, Carolyn L

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