The paired A–Not A design within signal detection theory: Description, differentiation, power analysis and application von Düvel, Nina, Kopiez, Reinhard

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When the Eye Listens: A Meta-analysis of How Audio-visual Presentation Enhances the Appreciation of Music Performance von Platz, Friedrich, Kopiez, Reinhard

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The Headphone and Loudspeaker Test–Part II: A comprehensive method for playback device screening in Internet experiments von Wycisk, Yves, Sander, Kilian, Manca, Benedetto, Kopiez, Reinhard, Platz, Friedrich

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Development and Validation of the Musical Ear Training Assessment (META) von Wolf, Anna, Kopiez, Reinhard

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Neuromyths in Music Education: Prevalence and Predictors of Misconceptions among Teachers and Students von Düvel, Nina, Wolf, Anna, Kopiez, Reinhard

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The Headphone and Loudspeaker Test – Part I: Suggestions for controlling characteristics of playback devices in internet experiments von Wycisk, Yves, Kopiez, Reinhard, Bergner, Jakob, Sander, Kilian, Preihs, Stephan, Peissig, Jürgen, Platz, Friedrich

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Limited Emotional Value Added by Immersive 3D Audio: A Reanalysis von Sander, Kilian, Wycisk, Yves, Kopiez, Reinhard

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Replacing the Orchestra? - The Discernibility of Sample Library and Live Orchestra Sounds von Kopiez, Reinhard, Wolf, Anna, Platz, Friedrich, Mons, Jan

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The creative performance of the AI agents ChatGPT and Google Magenta compared to human-based solutions in a standardized melody continuation task von Schreiber, Anton, Sander, Kilian, Kopiez, Reinhard, Thöne, Raphael

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Wrapped into sound: Development of the Immersive Music Experience Inventory (IMEI) von Wycisk, Yves, Sander, Kilian, Kopiez, Reinhard, Platz, Friedrich, Preihs, Stephan, Peissig, Jürgen

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The Chinese version of the Gold-MSI: Adaptation and validation of an inventory for the measurement of musical sophistication in a Taiwanese sample von Lin, Hsin-Rui, Kopiez, Reinhard, Müllensiefen, Daniel, Wolf, Anna

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The influence of deliberate practice on musical achievement: a meta-analysis von Platz, Friedrich, Kopiez, Reinhard, Lehmann, Andreas C, Wolf, Anna

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Correction: Replacing the Orchestra? - The Discernibility of Sample Library and Live Orchestra Sounds von Kopiez, Reinhard, Wolf, Anna, Platz, Friedrich, Mons, Jan

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Confusingly Similar: Discerning between Hardware Guitar Amplifier Sounds and Simulations with the Kemper Profiling Amp von Düvel, Nina, Kopiez, Reinhard, Wolf, Anna, Weihe, Peter

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Measuring Audiation or Tonal Memory? Evaluation of the Discriminant Validity of Edwin E. Gordon's “Advanced Measures of Music Audiation” von Platz, Friedrich, Kopiez, Reinhard, Lehmann, Andreas C., Wolf, Anna

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The Chill Parameter: Goose Bumps and Shivers as Promising Measures in Emotion Research von Grewe, Oliver, Kopiez, Reinhard, Altenmüller, Eckart

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Chills As an Indicator of Individual Emotional Peaks von Grewe, Oliver, Kopiez, Reinhard, Altenmüller, Eckart

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Farewell to Holbrook & Schindler’s (1989) “Song-Specific Age”? – Little Evidence for Lifelong Influence of Age-Specific Musical Preferences von Kopiez, Reinhard, Weigang, Jan, Platz, Friedrich, Düvel, Nina

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Listening To Music As A Re-Creative Process: Physiological, Psychological, And Psychoacoustical Correlates Of Chills And Strong Emotions von Grewe, Oliver, Nagel, Frederik, Kopiez, Reinhard, Altenmüller, Eckart

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EMuJoy: software for continuous measurement of perceived emotions in music von Nagel, Frederik, Kopiez, Reinhard, Grewe, Oliver, Altenmüller, Eckart

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