Beyond place: rethinking British amateur films through gender and technology-based perspectives von Frith, Paul, Johnston, Keith M

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The spectacle of realism: special effects at Ealing Studios, 1940–45 von Johnston, Keith M, Rickards, Carolyn

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A ‘Step into the Abyss'?: Transmedia in the U.K. Games and Television Industries von Johnston, Keith M, Phillips, Tom

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‘Pop-out footballers’, pop concerts and popular films: The past, present and future of three-dimensional television von Johnston, Keith M

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Reclaiming the 'vanilla' DVD: brand packaging and the case of Ealing Studios von Johnston, Keith M

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Back into Focus: Women Filmmakers, the Amateur Trade Press and 1960s British Amateur Cinema von Johnston, Keith M.

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Now is the time (to put on your glasses): 3-D film exhibition in Britain, 1951––55 von Johnston, Keith M

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“Show us your moves”: trade rituals of television marketing von Grainge, Paul, Johnson, Catherine

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Constructing a metadata model to capture the deconstruction of literary characters: Remediation of evil von Fayez Ismail, Orchida

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A Dalek is (now) a many-splendored thing von Johnston, Keith M.

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Public urban space: The linguistic turn von Abu-Dayyeh, Nabil

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Infiltrative vesical and ureteral endometriosis: Two different points of view von Shukla, Anshumala, Johnston, Keith M., Aslan, Peter, Chou, Danny

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Guest editorial von Hesford, Daniel, Johnston, Keith M

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The Coolest Way to Watch Movie Trailers in the World: Trailers in the Digital Age von Johnston, Keith M.

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Experiencing websites: UK DVD distributors and the promotion of Asian media von Wroot, Jonathan

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So just what is a trailer, anyway? von Vollans, Ed

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Promotional alternate reality games – more than “just” marketing von Janes, Stephanie

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Designing to engage a television audience: how are different media used in TV ident creation? von Macdonald, Iain

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Fluid typography: transforming letterforms in television idents von Brownie, Barbara

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James Leggott, In Fading Light: The Films of the Amber Collective von Johnston, Keith M

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