Art and Material Culture in the Byzantine and Islamic Worlds: Studies in Honour of Erica Cruikshank Dodd von Baboula, Evanthia, Jessop, Lesley

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Art and the Gregorian Reform: Saints Peter and Clement in the Church of San Marco at Venice von Jessop, Lesley

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Pictorial cycles of non-biblical saints: the seventh- and eighth-century mural cycles in Rome and contexts for their use von Jessop, Lesley

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Art and the Gregorian Reform: Saints Peter and Clement in the Church of San Marco at Venice von Jessop, Lesley

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The Tale of the Shared Church in Diyarbakir Narrative Traditions of the Co-use of Places of Prayer by Muslims and Christians

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Bibliography of Erica Cruikshank Dodd

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Notes on Contributors

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Intro

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The Thirteenth-Century Expansion of the Narthex of San Marco, Venice A Space for Dead Doges?

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Erica Cruikshank Dodd Passion, Serendipity, Curiosity, and the Making of an Art Historian

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Beirut’s Great ʿUmari Mosque History, Memory, and Post-war Reconstruction

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Introduction Diversity and Identity in the Medieval Mediterranean and Beyond

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To Not Know God Geometrical Abstraction and Visual Theology in Islamic Art

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The Anaphoric Icon Observations on Some Byzantine Metapictures

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The Traditional Crafts of the Middle East and Central Asia in the Writings of European and North American Travellers

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Orthodox Monasteries under Lusignan Rule Relations with Others, Relations with Their Own

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Note on Transliteration and Dates

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Figures and Tables

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Church Embellishment in Medieval Egypt, Syria, and Cyprus Patronage and Identity

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The Refectory of the Monastery of St. Maryin the Valley of Jehoshaphat, Jerusalem Crusader Painting at Crossroads

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