Cultural familiarity and musical expertise impact the pleasantness of consonance/dissonance but not its perceived tension von Lahdelma, Imre, Eerola, Tuomas

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Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music von Athanasopoulos, George, Eerola, Tuomas, Lahdelma, Imre, Kaliakatsos-Papakostas, Maximos

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Single chords convey distinct emotional qualities to both naïve and expert listeners von Lahdelma, Imre, Eerola, Tuomas

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Culture influences conscious appraisal of, but not automatic aversion to, acoustically rough musical intervals von Armitage, James, Lahdelma, Imre, Eerola, Tuomas, Ambrazevičius, Rytis

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The Anatomy of Consonance/Dissonance: Evaluating Acoustic and Cultural Predictors Across Multiple Datasets with Chords von Eerola, Tuomas, Lahdelma, Imre

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Is Harmonicity a Misnomer for Cultural Familiarity in Consonance Preferences? von Lahdelma, Imre, Eerola, Tuomas, Armitage, James

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Mild Dissonance Preferred Over Consonance in Single Chord Perception von Lahdelma, Imre, Eerola, Tuomas

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A Response to Michael Spitzer's Commentary von Lahdelma, Imre, Eerola, Tuomas

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Register impacts perceptual consonance through roughness and sharpness von Eerola, Tuomas, Lahdelma, Imre

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Data-driven theory formulation or theory-driven data interpretation?: Comment on “Consonance and dissonance perception. A critical review of the historical sources, multidisciplina... von Lahdelma, Imre, Eerola, Tuomas

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Data-driven theory formulation or theory-driven data interpretation? von Lahdelma, Imre, Eerola, Tuomas

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Theoretical Proposals on How Vertical Harmony May Convey Nostalgia and Longing in Music von Lahdelma, Imre, Eerola, Tuomas

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Sweetness is in the ear of the beholder: chord preference across United Kingdom and Pakistani listeners von Lahdelma, Imre, Athanasopoulos, George, Eerola, Tuomas

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Automatic responses to musical intervals: Contrasts in acoustic roughness predict affective priming in Western listeners von Armitage, James, Lahdelma, Imre, Eerola, Tuomas

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Affective priming with musical chords is influenced by pitch numerosity von Lahdelma, Imre, Armitage, James, Eerola, Tuomas

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Correction: Harmonic organisation conveys both universal and culture-specific cues for emotional expression in music von Athanasopoulos, George, Eerola, Tuomas, Lahdelma, Imre, Kaliakatsos-Papakostas, Maximos, Damjanovic, Ljubica

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Culture influences conscious appraisal of, but not automatic aversion to, acoustically rough musical intervals von James Armitage, Imre Lahdelma, Tuomas Eerola, Rytis Ambrazevičius

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Data related to "Mild dissonance preferred over consonance in single chord perception" von Eerola, Tuomas, Lahdelma, Imre

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