“Poison may lurk at the bottom”: The ruin of Jacob Vaark and paradise already lost in Toni Morrison's A Mercy von Hillier, Russell M.

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“An enormous sadness touched with rue”: The pathos of oneness in Cormac McCarthy's Suttree von Hillier, Russell M.

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‘Send back thy fire again’: Praise, Music, and Poetry in the Lyrics of George Herbert von Hillier, Russell M

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‘All Souls are One’: The Idea of Unanimity in John Steinbeck’s The Grapes of Wrath and Cormac McCarthy’s Suttree von Hillier, Russell M

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Cain Furens: Imitations Of Virgil and Ovid in Canto Six of Lucy Hutchinson’s Order And Disorder von Hillier, Russell M

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‘See/How I Convey My Shame Out of Thine Eyes’: Breathing Dramatic Life into an Ancient Proverb in William Shakespeare’s Antony and Cleopatra , III.xi.51-4 von Hillier, Russell M

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Comparable Apocalypses of Barrenness and Superabundance: Seneca’s Phaedra and John Milton’s Comus, or A Maske Presented at Ludlow Castle, 1634 von Hillier, Russell M

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‘The Flitting Phantoms of Iniquity’: A Spenserian Source for Nathaniel Hawthorne’s ‘Fancy’s Show Box: A Morality’ in the Ninth Canto of Book Two of The Faerie Queene von Hillier, Russell M

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Two Men in a Trickbag: White, Black, and the Operation of Schopenhauerian Ethics in Cormac McCarthy's The Sunset Limited von Hillier, Russell M.

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"Valour Will Weep": The Ethics of Valor, Anger, and Pity in Shakespeare's "Coriolanus" von Hillier, Russell M.

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Herbert's pepper corn: Responsibility and reciprocity in The Temple von Hillier, Russell M.

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“Like some supplicant to the darkness over them all”: The Good of John Grady Cole in Cormac McCarthy's Cities of the Plain von Hillier, Russell M.

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‘TYES OF GRATEFULNESS’: LEARNING TO SAY THANK YOU IN GEORGE HERBERT'S LYRICS von Hillier, Russell M.

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“A Wondrous Lesson in thy Silent Face”: Keats, Darwin, and the Geological Sublime von Hillier, Russell M.

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“An enormous sadness touched with rue”: T he pathos of oneness in C ormac M c C arthy's Suttree von Hillier, Russell M.

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Doped Malice in John Milton’s Paradise Lost von Hillier, Russell M

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Milton's "Genial Angel": The Identity and Salvific Office of the Son in Adam's Narrative of Creation and Recreation von Hillier, Russell M.

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Three New Sources for ‘Locksley Hall’: Goethe, Byron, and Dickens von Baynes, Tom

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Spatial Allegory and Creation Old and New in Milton's Hexaemeral Narrative von Hillier, Russell M.

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Refiguring the Sacred Feminine: The Poems of John Donne, Aemilia Lanyer, and John Milton by Theresa M. DiPasquale (review) von Hillier, Russell M

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