MoReeSC: A Framework for the Simulation and Analysis of Sound Production in Reed and Brass Instruments von Silva, F., Vergez, Ch, Guillemain, Ph, Kergomard, J., Debut, V.

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An Instrumented Saxophone Mouthpiece and its Use to Understand How an Experienced Musician Plays von Guillemain, Ph, Vergez, Ch, Ferrand, D., Farcy, A.

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A Digital Synthesis Model of Double-Reed Wind Instruments von Guillemain, Ph

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Modal analysis of the input impedance of wind instruments. Application to the sound synthesis of a clarinet von Taillard, P.-A., Silva, F., Guillemain, Ph, Kergomard, J.

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Approximation formulae for the acoustic radiation impedance of a cylindrical pipe von Silva, F., Guillemain, Ph, Kergomard, J., Mallaroni, B., Norris, A.N.

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Corrigendum to “Approximation formulae for the acoustic radiation impedance of a cylindrical pipe” [J. Sound Vib. 322 (2009) 255–263] von Silva, F., Guillemain, Ph, Kergomard, J., Mallaroni, B., Norris, A.N.

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A Digital Synthesis Model of Double-Reed Wind Instruments von Guillemain, Ph

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The algorithmic sampler: An analysis problem? von Arfib, D., Guillemain, Ph, Kronland-Martinet, R.

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Wavelet methods for estimation of acoustically relevant parameters of musical signals von Kronland-Martinet, R., Guillemain, Ph, Grossmann, A.

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Modelling of natural sounds by time–frequency and wavelet representations von KRONLAND-MARTINET, R., GUILLEMAIN, Ph, YSTAD, S.

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Parameters Estimation Through Continuous Wavelet Transform for Synthesis of Audio-Sounds von Guillemain, Ph, Kronland-Martinet, R

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