The “Limits of Control“: Burroughs through Deleuze von Gontarski, S. E.

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The Journal of Beckett Studies in Stages: 40 Years and Counting von Gontarski, S. E

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Wilder’s Joyce: Inspiration, Borrowing, Appropriation, Plagiarism von Gontarski, S. E.

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Still at Issue after All These Years: The Beckettian Text, Printed and Performed von Gontarski, S. E

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Tennessee Williams’s Creative Frisson, Censorship, and the Queering of Theatre von Gontarski, S. E.

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Creative Involution: Bergson, Beckett, Deleuze von Gontarski, S. E

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The Body in the Body of Beckett's Theater von Gontarski, S. E

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Ballocksed, Banjaxed or Banjoed: Textual Aberrations, Ghost Texts, and the British Godot von Gontarski, S.E

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"““What it is to have been"””: Bergson and Beckett on Movement, Multiplicity and Representation von Gontarski, S. E

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AN END TO ENDINGS: Samuel Beckett's End Game(s) von Gontarski, S. E

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Viva, Sam Beckett, or Flogging the Avant-Garde von Gontarski, S. E

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Editing Beckett von Gontarski, S. E.

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Beckett em sua época / Beckett em nossa época von Gontarski, S. E.

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An Interview with Director Makoto Soto von Gontarski, S. E

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Beckett and the Unnamable Voice of (European) Modernism von Gontarski, S. E

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An Art of Incompletion: A Preface von Gontarski, S. E

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Performing Embodiment in Samuel Beckett's Drama. By Anna McMullan. London: Routledge, 2010. Pp. 196. £85/$125 Hb von Gontarski, S. E.

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REVIEWS von Gontarski, S E

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Refiguring, Revising, and Reprinting The Lost Ones von Gontarski, S. E

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Somehow On von Gontarski, S. E

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