Frescobaldi and friends von Fitch, Fabrice

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Restoring Obrecht’s Missa Scaramella von Fitch, Fabrice

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When the CD was king: reminiscences of a Reviews Editor von Fitch, Fabrice

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Where Sight Meets Sound: The Poetics of Late-Medieval Music Writing Emily Zazulia von Fitch, Fabrice

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Tracing Obrecht’s musical career von Fitch, Fabrice

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Josquin at 500 von Fitch, Fabrice

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Text, Music, and Mannerist Aesthetics in Agricola's Songs von Fitch, Fabrice

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Agricola and the Rhizome II: Contrapuntal Ramifications von Fitch, Fabrice

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Spotlight on a Newly Recovered Song: The Anonymous Virelai Si vous voullez que je vous ame from the Leuven Chansonnier von Fitch, Fabrice

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Loyset Compère and the Motetti missales Cycle Ave Domine Jesu Christe von Fitch, Fabrice

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Dufay’s cantus firmus Masses in discographical context von Fitch, Fabrice

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ON COMPOSITIONAL PROCESS AND THE "MISSA PROLACIONUM" von Fitch, Fabrice

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Antoine Brumel and the Sense of Scale von Fitch, Fabrice

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Quomodo tempus fugit: Time, Mensuration, and Performance in Obrecht’s Missa Maria zart von Bull, Stratton, DeFord, Ruth I, Fitch, Fabrice

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‘Virtual’ Ascriptions in Ms. AugsS 142a: A Window on Alexander Agricola’s Late Style von Fitch, Fabrice

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AGRICOLA ixb: Je n'ay dueil, for solo tenor sackbut von Fitch, Fabrice

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Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers von Fitch, Fabrice

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"Who Cares Who is Speaking?" An Essay in Style-Criticism von Fitch, Fabrice

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‘Two Fellows from Ghent’: For the Obrecht and Agricola Quincentenaries von Fitch, Fabrice

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Editorial von Fabrice, Fitch

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