J. M. Coetzee's Age of Iron: The Odyssey of Returning back to One's Ethical Self by Loving the Other von Moradi, Arash, Pourgiv, Farideh

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Construction of gender identities via satire: The case of Juvenal von Zekavat, Massih, Pourgiv, Farideh

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Posthumanist Strategies of Forming Surrogate Cyborg Subjectivity in Contemporary Young Adult Autism Novels von Mahboubeh Farhangi, Laleh Atashi, Farideh Pourgiv

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A Contrapuntal Reading of Daniel Defoe’s Robinson Crusoe von Arash Moradi, Farideh Pourgiv

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An Ideal Husband, or an Ideal Wife? That is the question von Zayani, Mahsa, Pourgiv, Farideh

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Quest in James Dashner’s The Maze Runner Trilogy von Ali Akbar Zamani, Farideh Pourgiv, Mahsa Hashemi

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A Contrapuntal Reading of Daniel Defoe's Robinson Crusoe von Moradi, Arash, Pourgiv, Farideh

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ON THE DEVELOPMENT OF FEMALE VOICE IN ADRIENNE RICH von Soghra, Nodeh, Pourgiv, Farideh

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Construction of gender identities via satire: The case of Juvenal von Massih Zekavat, Farideh Pourgiv

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DANCING WITH PROTEUS: A DYNAMIC SPATIOTEMPORAL NETWORK MODEL FOR READING MICHAEL JOYCE'S HYPERTEXT FICTION, TWELVE BLUE von Najafipour, Mohammad Ali, Pourgiv, Farideh

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The Mariner ’s Way of Individuation: An Insight into the Jungian Principle of Acausality von Shams, Parisa, Pourgiv, Farideh

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Cultural Memory Studies and the Idea of Literature: A Cosmopolitan Critique von Seyyed Mehdi Mousavi, Farideh Pourgiv, Bahee Hadaegh

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Cultural Memory Studies and the Idea of Literature: A Cosmopolitan Critique von Mousavi, Seyyed Mehdi, Pourgiv, Farideh, Hadaegh, Bahee

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Following the Traces of Feminine Writing in Adrienne Rich's Poems von Nodeh, Soghra, Pourgiv, Farideh

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Gender trouble in Who's Afraid of Virginia Woolf von Shams, Parisa, Pourgiv, Farideh

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James Joyce’s “An Encounter”: From the Perversion of an Escape to the Perversion of the Fatherhood von Ghahreman, Omid, Pourgiv, Farideh

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TRAGEDY OF LOVE AND LANGUAGE PAR EXCELLENCE: A POST-CLASSICAL AND POST-MODERN PSYCHOANALYTIC READING OF ROMEO AND JULIET von Changizi, Pooyan, Pourgiv, Farideh, Latifian, Morteza

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FORM IS THE ULTIMATE GIFT': SHOWALTER'S LINGUISTIC AND CULTURAL MODEL OF GYNOCRITICISM IN ADRIENNE RICH'S A CHANGE OF WORLD von Nodeh, Soghra, Pourgiv, Farideh

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Martha the "Mimos": Femininity, Mimesis and Theatricality in Edward Albee's "Who's Afraid of Virginia Woolf" / Martha la Mimo: Femininidad, Mimesis y Teatralidad en Who's Afraid of... von Hoorvash, Mona, Pourgiv, Farideh

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Martha the Mimos: Femininity, Mimesis and Theatricality in Edward Albee's Who's Afraid of Virginia Woolf von Pourgiv, Farideh, Hoorvash, Mona

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