Il canto sospeso by Luigi Nono (review) von Earle, Ben

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Dallapiccola’s Ulisse in Frankfurt von Earle, Ben

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Opera in Postwar Venice: Cultural Politics and the Avant-Garde by Harriet Boyd-Bennett (review) von Earle, Ben

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Camilla Poesio, Tutto è ritmo, tutto è swing. Il Jazz, il fascismo e la società italiana: Milan, Mondadori Education, 2018 von Earle, Ben

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La giovinezza sommersa di un compositore: Luigi Dallapiccola by Luciano Alberti (review) von Earle, Ben

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Modernism and Reification in the Music of Frank Bridge von Earle, Ben

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The Music of Frank Bridge by Fabian Huss (review) von Earle, Ben

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Reviews: "The Music of Frank Bridge" by Fabian Huss von Earle, Ben

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Twelve-Note Music as Music: an Essay in Two Parts von Earle, Ben

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THE POLITICS OF THE NEW MUSIC von Earle, Ben

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Puccini, Fascism, and the Case of Turandot von Earle, Ben

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Sweet Thunder: Music and Libretti in 1960s Italy by Vivienne Suvini-Hand (review) von Earle, Ben

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Branch banking in the United States and Canada von Howard, Earle Ben

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Dallapiccola's Early Synthesis: No. 1, 'Vespro, Tutto Riporti', from Cinque Frammenti di Saffo von Earle, Ben

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D allapiccola's E arly S ynthesis : N o . 1, ‘V espro , T utto R iporti ’, from C inque F rammenti di S affo von Earle, Ben

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Review: On the Music of Stefan Wolpe: Essays and Recollections von Earle, Ben

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Masculine Semiotics: the Music of Goffredo Petrassi and the Figurative Arts in Italy during the 1930s von OSMOND-SMITH, DAVID, EARLE, BEN

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Giacomo Puccini and His World von Schwartz, Arman, Senici, Emanuele

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Camilla Poesio, Tutto è ritmo, tutto è swing. Il Jazz, il fascismo e la società italiana von Earle, Ben

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Taste, Power, and Trying to Understand Op. 36: British Attempts to Popularize Schoenberg von Earle, Ben

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