Ancient Greek rhythms in Messiaen’s le sacre: Nietzsche’s legacy? von Cheong, Wai-Ling

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Ancient Greek Rhythms in Tristan and Nietzsche von CHEONG, Wai Ling

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'MIROIR FLUIDE': MESSIAEN, DEBUSSY, AND CYRANO'S 'SYNAESTHETIC' BIRD von Wai-Ling, Cheong

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MESSIAEN'S CHORD TABLES: ORDERING THE DISORDERED von Cheong, Wai-ling

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PLAINCHANTS AS COLOURED TIME IN MESSIAEN'S ‘COULEURS DE LA CITÉ CÉLESTE’ von Wai-Ling, Cheong

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ANCIENT GREEK RHYTHMS IN MESSIAEN'S LE SACRE: NIETZSCHE'S LEGACY? von Cheong, Wai-Ling

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Ancient Greek rhythmsin Messiaen’s Le sacre: Nietzsche’s legacy? von Cheong, Wai-Ling

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Neumes and Greek Rhythms: The Breakthrough in Messiaen's Birdsong von Wai-Ling, Cheong

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Reading Schoenberg, Hindemith, and Kurth in Sang Tong (桑桐): Modernist Harmonic Approaches in China von Wai-Ling, Cheong

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Symmetrical Permutation, the Twelve Tones, and Messiaen's "Catalogue d'oiseaux" von Cheong, Wai-Ling

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Sposobin Remains. A Soviet Harmony Textbook’s Twisted Fate in China von Cheong, Wai Ling, Hong, Ding

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Rediscovering Messiaen's Invented Chords von Cheong, Wai-ling

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Messiaen's Triadic Colouration: Modes as Interversion von Wai-Ling, Cheong

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Composing with Pre-Composed Chords in the Finale of "Et exspecto resurrectionem mortuorum" von Cheong, Wai-Ling

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Sposobin Remains. A Soviet Harmony Textbook’s Twisted Fate in China von Wai Ling Cheong, Ding Hong

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Review: Olivier Messiaen: Music, Art and Literature, edited by Christopher Dingle, Nigel Simeone; Messiaen Studies, edited by Robert Sholl von Ling, Cheong Wai

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MESSIAEN'S CHORD TABLES: ORDERING THE DISORDERED; MESSIAEN'S CHORD TABLES: ORDERING THE DISORDERED; TEMPO von Wai-Ling, Cheong

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Die Rezeption Schönbergs, Hindemiths und Kurths im Werk von Sang Tong: Moderne Zugänge zur Harmonik in China von Wai-Ling, Cheong

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Identity and Influence: New Music Research at Wuhan Music Conservatory von Wai-Ling, Cheong

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Eine Altlast - das Brigaden-Lehrbuch in China von Wai-Ling, Cheong, Ding, Hong

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