The ‘Cabale du Dauphin’, Campra, and Italian Comedy: The Courtly Politics of French Musical Patronage around 1700 von Fader, Don

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A BACH BORROWING BY GLUCK: ANOTHER FRONTIER von Buelow, George J.

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Originality, Genius, Plagiarism in English Criticism of the Eighteenth Century von Buelow, George J.

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Teaching Seventeenth-Century Concepts of Musical Form and Expression: An Aspect of Baroque Music von Buelow, George J.

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Musicology in the United States in 1981-1982 von Buelow, George J.

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In Defence of J. A. Scheibe against J. S. Bach von Buelow, George J.

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Music, Rhetoric, and the Concept of the Affections: A Selective Bibliography von Buelow, George J.

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Georg Friedrich Händel, "Almira, Königin von Kastilien", ed. Dorothea Schröder (Hallische Händel-Ausgabe, II/1) von Buelow, George J

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The Full-Voiced Style of Thorough-Bass Realization von Buelow, George J.

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Heinichen's Treatment of Dissonance von Buelow, George J.

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THE THOROUGH-BASS IN BAROQUE MUSIC von Buelow, George J.

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Johann Kuhnau: 'The Musical Charlatan' von Buelow, George J.

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Figured Bass as Improvisation von Donington, Robert, Buelow, George J.

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Wordless Rhetoric: Musical Form and the Metaphor of the Oration von Buelow, George J.

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Willi Apel (1893 — 1988) von Buelow, George J., Damm, Marianne

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REVIEWS OF BOOKS von BUELOW, GEORGE J.

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ORIGINAL SCIENTIFIC PAPERS - IZVORNI ZNANSTVENI CLANCI: Originality, Genius, Plagiarism in English Criticism of the Eighteenth Century von BUELOW, George J

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Almira, Königin von Kastilien: Oper in drei Akten, HWV 1 von Buelow, George J.

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REVIEWS OF BOOKS von BUELOW, GEORGE J.

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REVIEWS OF BOOKS von BUELOW, GEORGE J.

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