Morton Feldman: For Bunita Marcus. Louis Goldstein, piano. Nuscope Recordings CD 1024, 2010 von Bernard, Jonathan W.

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From Lumpy Gravy to Civilization Phaze III: The Story of Frank Zappa's Disenchantment von BERNARD, JONATHAN W.

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Four Analytical Sites in Bartók’s Third String Quartet von BERNARD, JONATHAN W.

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Minimalism, Postminimalism, and the Resurgence of Tonality in Recent American Music von Bernard, Jonathan W.

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Elliott Carter. By James Wierzbicki. American Composers von Bernard, Jonathan W

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Elliott Carter by James Wierzbicki (review) von Bernard, Jonathan W

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Ligeti's Restoration of Interval and Its Significance for His Later Works von Bernard, Jonathan W.

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I See Smoke, but Where's the Fire? von Bernard, Jonathan W.

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Messiaen's Synaesthesia: The Correspondence between Color and Sound Structure in His Music von Bernard, Jonathan W

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Elliott Carter and the Modern Meaning of Time von Bernard, Jonathan W.

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Voice Leading as a Spatial Function in the Music of Ligeti von Bernard, Jonathan W.

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The Minimalist Aesthetic in the Plastic Arts and in Music von Bernard, Jonathan W.

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Cracked Octaves, Warped Perspectives: A Response von Bernard, Jonathan W.

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Zones of Impingement: Two Movements from Bartm)&m5!pos;s Music for Strings, Percussion, and Celesta von Bernard, Jonathan W

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States, Events, Transformations von Ligeti, György, Bernard, Jonathan W.

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The Marpurg-Sorge Controversy von Bernard, Jonathan W.

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Inaudible Structures, Audible Music: Ligeti's Problem, and His Solution von Bernard, Jonathan W.

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The Evolution of Elliott Carter's Rhythmic Practice von Bernard, Jonathan W.

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An Interview with Elliott Carter von Bernard, Jonathan W., Carter, Elliott

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Space and Symmetry in Bartók von Bernard, Jonathan W.

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