Recent acquisitions (2005–14) at the Fine Arts Museums of San Francisco von BAILEY, COLIN B.

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'In the same order, but . . . stronger than ever': the new Barnes Foundation in Philadelphia von BAILEY, COLIN B.

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Late Renoir von BAILEY, COLIN B.

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The Origins of the Barnes Collection, 1912—15 von Bailey, Colin B.

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Oudry's painted menagerie : portraits of exotic animals in eighteenth-century Europe

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The Networked Recluse: The Connected World of Emily Dickinson von Kelly, Michael, Werner, Marta L, Vega, Carolyn, Howe, Susan, Wilbur, Richard

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Marie-Jeanne Buzeau, Madame Boucher (1716-96) von Bailey, Colin B.

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Books : "Fragonard and the fantasy figure : painting the imagination," by Melissa Percival von Bailey, Colin B

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In the same order, but...stronger than ever": the new Barnes Foundation in Philadelphia von Bailey, Colin B

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The Networked Recluse: The Connected World of Emily Dickinson von Kelly, Michael, Werner, Marta L, Vega, Carolyn, Howe, Susan, Wilbur, Richard

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The origins of the Barnes Collection, 1912-1915 von Bailey, Colin B

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Renoir's "La Loge" von Bailey, Colin B

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Renoir's Portrait of His Sister-in-Law von Bailey, Colin B.

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Tessin lecture: "Cospetto! Che Bella Cosa!", "My What a Beautiful Thing!" Boucher´s Triumph of Venus in the Nationalmuseum, Stockholm von Bailey, Colin B.

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French paintings from Germany von Bailey, Colin B.

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Conventions of the Eighteenth-Century Cabinet de tableaux: Blondel d'Azincourt's La première idée de la curiosité von Bailey, Colin B.

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The abbé Terray: An Enlightened Patron of Modern Sculpture von Bailey, Colin B.

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Renoir and Algeria von Bailey, Colin B

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Not Greuze, but Bernard d'Agesci von Rosenberg, Pierre, Bailey, Colin B.

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Conventions of the Eighteenth-Century Cabinet de tableaux: Blondel d'Azincourt's La premiere idee de la curiosite von Bailey, Colin B.

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