Jakarda Wuka (Too Many Stories): Narratives of Rock Art from Yanyuwa Country in Northern Australia's Gulf of Carpentaria von Brady, Liam M, Bradley, John, Kearney, Amanda

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Nalangkulurru, the Spirit Beings, and the Black‐Nosed Python: Ontological Self‐Determination and Yanyuwa Law in Northern Australia's Gulf Country von Kearney, Amanda, Bradley, John, Brady, Liam M.

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Exploring palaeoecology in the Northern Territory: the Walanjiwurru rockshelter, vegetation dynamics and shifting social landscapes in Marra Country von Rowe, Cassandra, Ash, Jeremy, Brady, Liam M., Wesley, Daryl, Evans, Shaun, Barrett, David

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‘Contact’ Rock Art and the Hybrid Economy Model: Interpreting Introduced Subject Matter from Marra Country, Southwest Gulf of Carpentaria, Northern Australia von Brady, Liam M., Wesley, Daryl, Bradley, John, Kearney, Amanda, Evans, Shaun, Barrett, David

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Sitting in the gap: ethnoarchaeology, rock art and methodological openness von Brady, Liam M., Kearney, Amanda

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Kincentric Ecology, Species Maintenance and the Relational Power of Place in Northern Australia von Kearney, Amanda, Bradley, John, Brady, Liam M.

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A rare miniature and small-scale stencil assemblage from the Gulf of Carpentaria: replication and meaning in Australian rock art von Brady, Liam M., Bradley, John J., Kearney, Amanda, Wesley, Daryl

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The Presence of Absence: Why Does the Post-contact Rock Art of Torres Strait (Northeastern Australia) Not Include Paintings of European Ships? von Brady, Liam M., McNiven, Ian J.

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A Place of Substance: Stories of Indigenous Place Meaning in the Southwest Gulf of Carpentaria, Northern Australia von Kearney, Amanda, Brady, Liam M., Bradley, John

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'Who do you want to kill?' Affectual and relational understandings at a sorcery rock art site in the southwest Gulf of Carpentaria, northern Australia von Brady, Liam M., Bradley, John J.

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Negotiating Yanyuwa Rock Art: Relational and Affectual Experiences in the Southwest Gulf of Carpentaria, Northern Australia von Brady, Liam M., Bradley, John J., Kearney, Amanda J., Eisenberg-Degen, Davida, Fiore, Dnae, Tan, Noel Hidalgo, Namono, Catherine, Ross, Anne, Smith, Benjamin, Smith, Claire, Jackson, Gary

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Collaborative anthracology and cultural understandings of wood charcoal in Marra Country (northern Australia) von Walsh, Matthew, Dotte-Sarout, Emilie, Brady, Liam M., Bradley, John, Ash, Jeremy, Wesley, Daryl, Evans, Shaun, Barrett, David

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Extraordinary Back-to-Back Human and Animal Figures in the Art of Western Arnhem Land, Australia: One of the World's Largest Assemblages von Taçon, Paul S.C., May, Sally K., Goldhahn, Joakim, Taylor, Luke, Brady, Liam M., Ressel, Alex, Jalandoni, Andrea, Wesley, Daryl, Maralngurra, Gabriel

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What painting? Encountering and interpreting the archaeological record in western Arnhem Land, northern Australia von BRADY, LIAM M., MAY, SALLY K., GOLDHAHN, JOAKIM, TAÇON, PAUL S.C., LAMILAMI, PATRICK

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New radiocarbon dates from Kirriri 4: extending the 2,500 BP signature for the onset of the Torres Strait Cultural Complex to south Western Torres Strait, Northeast Queensland von Brady, Liam M., Ash, Jeremy

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Meaningful choices and relational networks: Analysing western Arnhem Land’s Painted Hand rock art style using chaîne opératoire von Brady, Liam M., Taylor, Luke, May, Sally K., Taçon, Paul S.C.

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Marra philosophies of stone, and the stone artefacts of Walanjiwurru 1 rockshelter, Marra Country, northern Australia von Ash, Jeremy, Bradley, John J., Mialanes, Jerome, Brady, Liam M., Evans, Shaun, Barrett, David, David, Bruno, Wesley, Daryl, Dotte-Sarout, Emilie, Rowe, Cassandra, Urwin, Chris, Manne, Tiina

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Community Archaeology and Oral Tradition: Commemorating and teaching cultural awareness on Mua Island, Torres Strait von Brady, Liam M., David, Bruno, Manas, Louise

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Reconsidering regional rock art styles: Exploring cultural and relational understandings in northern Australia’s Gulf country von Brady, Liam M., Bradley, John J.

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Rock-art from the Mabuyag Islands, Zenadh Kes (Torres Strait) von Liam M Brady

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