Silence and Self-expression in Charlotte Brontë’s Shirley: An Application of John Searle’s Speech Acts Theory von KHAZAI, Sara, BEYAD, Maryam S., SABBAGH, Mahmoud R.G.

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Šutnja i samoizražavanje u romanu Charlotte Brontë Shirley: Primjena teorije govornih činova Johna Searlea von Khazai, Sara, Beyad, Maryam S, Sabbagh, Mahmoud R.G

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Ford Madox Ford’s Modernist Trio: A Psychosocial Study of Suicidal Doppelgängers in The Rash Act von Jafari, Mona, Beyad, Maryam Soltan

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Hester’s Private Religion of the Heart: Theocracy and Secularism in The Scarlet Letter (1851) von Darbandi, Ali Hassanpour, Beyad, Maryam

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El trío modernista de Ford Madox Ford: Un estudio psicosocial de los doppelganger suicidas en The Rash Act von Jafari, Mona, Soltan Beyad, Maryam

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A novel of de-formation: Cormac McCarthy’s Child of God as a postmodern Gothic parody of the Bildungsroman von Jafari, Mona, Beyad, Maryam Soltan, Ramin, Zohreh

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Traces of Mysticism in Wordsworth’s Aesthetics of Nature: A Study on William Wordsworth’s Nature Philosophy in the Light of Ibn Al-‘Arabi’s Ontology von Soltan Beyad, Maryam, Vafa, Mahsa

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Fear of Freedom: Erich Fromm and Ken Kesey’s One Flew Over the Cuckoo’s Nest von Maryam Soltan Beyad, Mahshid Mirmasoomi

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Transcending Self-Consciousness: Imagination, Unity and Self-Dissolution in the English Romantic and Sufis Epistemology von Soltan Beyad, Maryam, Vafa, Mahsa

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Subjection and Survival in J. M. Coetzee's Disgrace von Beyad, Maryam, Keramatfar, Hossein

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Digging the Liminal Spaces: Chronotopic Representation of Liminality in Seamus Heaney’s North and Station Island von Beyad, Maryam Soltan, Kazemi, Ehsan

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Brian Friel’s Translations, a Play on Power, Space, and History von Beyad, Maryam, Shabanpour, Mohammad Bagher

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Bakhtinian Intertextuality and Contextuality in Adaptation Studies: Kenneth Branagh and Michael Almereyda’s Dialogues with William Shakespeare’s Hamlet von Beyad, Maryam, Reza Hassanzadeh Javanian, Mohammad

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THE TRAUMATIC CONFRONTATION WITH IDEOLOGY AND THE REAL IN E.L.DOCTOROW’S "WELCOME TO HARD TIMES" von Borzabadi Farahani, Hojatallah, Beyad, Maryam

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A woman of all times: A discourse-semiotic approach to André Brink's Philida von Beyad, Maryam Soltan, Mehrmotlagh, Hanieh

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“Fair is foul, and foul is fair”: A carnivalesque approach to Justin Kurzel and Billy Morrissette’s cinematic adaptations of William Shakespeare’s Macbeth von Soltan Beyad, Maryam, Javanian, Mohammad Reza Hassanzadeh

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English letters, Kurdish words: Debunking Orientalist Tropes in Kae Bahar's Letters from a Kurd von Beyad, Maryam Soltan, Ghorbani, Somaye, Amiri, Cyrus

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Silence and Self-expression in Charlotte Brontë’s Shirley: An Application of John Searle’s Speech Acts Theory von Khazai, Sara, Beyad, Maryam, SABBAGH, Mahmoud R.G

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Beckett's Drama: Platonic 'Ideas' versus Aristotelian 'Shapes' von Beyad, Maryam, Maniee, Amir

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‘Such a ceremonial perversion!’; Baroque, Capitalism, and A Mouthful of Birds von Maryam Soltan Beyad, Rezaei, Tahereh

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