The Visible Flâneuse in Chan Ling Yap’s Where the Sunrise is Red von Amran, Nurul Atiqah, Ali Termizi, Arbaayah

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Negotiating Existential Concerns of Death and Meaninglessness through the Grotesque in Oscar Wilde’s The Canterville Ghost von Seach, Jin Beng, Ali Termizi, Arbaayah, Talif, Rosli, Zainal, Zainor Izat

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Order in Disorder: Exploring Chaos Theory in the Narrative Structure of Chuck Palahniuk’s Fight Club von Mohd Said, Nur Aainaa Amira, Ali Termizi, Arbaayah

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The Butterfly Effect Hits Complicité: A Chaotic Reading of Mnemonic and A Disappearing Number von Ahmad Yas, Khalid, Ali Termizi, Arbaayah, Talif, Rosli, Kaur, Hardev

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The Cultural Landscape in Sarawakian Literature in English (SLIE) von Yeoh, Patrick, Ali Termizi, Arbaayah, Sivagurunathan, Shivani

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The Fallacy of a New Woman in Lola Shoneyi’s The Secret Lives of Baba Segi’s Wives von Abdullahi, Nafiu, Ali Termizi, Arbaayah, Hussaini Magaji, Addau

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Social Stratification As A Catalyst For Xenophobia In Kenneth Maswabi's Poems von Abdullahi, Nafiu, Ali Termizi, Arbaayah, Kaur, Hardev, Muhammad Amin, Hasyimah

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Reclaiming Subjectivity through the Maternal Abject in Janie Chang’s Three Souls von Poh, Chin Koon, Awang, Mohammad Ewan, Ali Termizi, Arbaayah, Ching, Florence Toh Haw

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Abject Desires in Lisa See’s Peony in Love von Poh, Chin Koon, Awang, Mohammad Ewan, Ali Termizi, Arbaayah, Ching, Florence Toh Haw

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Pandemic, Plague, Pestilence and the Tropics: Critical Inquiries from Arts, Humanities and Social Sciences von Lundberg, Anita, Ngalamulume, Kalala, Segata, Jean, Termizi, Arbaayah Ali, Spicer, Chrystopher J.

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The grotesque body in Ian McEwan’s short stories von Shahbazi Moghadam, Nahid, Ali Termizi, Arbaayah

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Literary Representations of Capitalist Dictatorship in Transcultural Adaptations of Brecht’s The Resistible Rise of Arturo Ui by Ajoka Theatre in Pakistan von Kayani, Taimur, Ali Termizi, Arbaayah

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Analysing Resistance of Stereotyped Sexuality via ‘Gender Performance’ in The Silk Fan and Under the Blanket von Soleha binti Mohd Noor, Nurul, Termizi, Arbaayah Ali

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From Natural to Artificial Selection: A Chaotic Reading of Shelagh Stephenson’s An Experiment with an Air Pump (1998) von Ahmad Yas, Khalid, Ali Termizi, Arbaayah, Talif, Rosli, Kaur, Hardev

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Depiction of Women as the Primary Architects of their own Oppression: A Masculinist Critique of El Saadawi’s Woman at Point Zero von Abdulwaheed Idris, Abdulrahman, Talif, Rosli, Ali Termizi, Arbaayah, Kaur Jujar, Hardev

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Politics of Staging Capitalist Society in Transcultural Adaptations of Brecht’s The Threepenny Opera by Ajoka Theatre in Pakistan von Kayani, Taimur, Ali Termizi, Arbaayah, Roselezam Wan Yahya, Wan, Baizura Bahar, Ida

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Home in Han Suyin’s 'Till Morning Comes' from the Perspective of New Cultural Geography von Hu, Xiaoling, Termizi, Arbaayah Ali

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The Evolution and Popularity of Science Play with Specific Reference to Marlowe’s Dr. Faustus, Brecht’s Galileo and Frayn’s Copenhagen von Khalid Ahmad Yas, Arbaayah Ali Termizi, Rosli Talif, Kaur, Hardev

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“One good man in a corrupt ancient society”: The Steward in Shakespeare’s Timon of Athens von Toh Haw Ching, Florence

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Pandemic, Plague, Pestilence and the Tropics: Critical Inquiries from Arts, Humanities and Social Sciences von Anita Lundberg, Kalala Ngalamulume, Jean Segata, Arbaayah Ali Termizi, Chrystopher J. Spicer

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