Liveness in Modern Music: Musicians, Technology, and the Perception of Performance by Paul Sanden (review) von Ashby, Arved

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Tonality as Law, Contravention, Performativity von Ashby, Arved

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The Lyric Suite and Berg's Twelve-Tone Duality von Ashby, Arved

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TheLyric Suiteand Berg's Twelve-Tone Duality von Ashby, Arved

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Theodor W. Adorno & Alban Berg: Correspondence, 1925–1935, ed. Henri Lonitz, trans. Wieland Hoban (Cambridge, and Malden, MA: Polity, 2005), ISBN 978 0 7456 2335 1 (hb), 978 0 7456... von ASHBY, ARVED

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Theodor W. Adorno & Alban Berg: Correspondence, 1925-1935 von ASHBY, ARVED

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Review: Untwisting the Serpent: Modernism in Music, Literature, and Other Arts, by Daniel Albright von Ashby, Arved

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Composer in Interview: Giya Kancheli von Ashby, Arved, Mazo, Margarita

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R eading B erg von ASHBY, ARVED

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Schoenberg, Boulez, and Twelve-Tone Composition as “Ideal Type” von Ashby, Arved

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Reading Berg von ASHBY, ARVED

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Of "Modell-Typen" and "Reihenformen": Berg, Schoenberg, F. H. Klein, and the Concept of Row Derivation von Ashby, Arved

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Of Modell-Typen and Modell-Typen: Berg, Schoenberg, F. H. Klein, and the Concept of Row Derivation von Ashby, Arved

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Composer in Interview: Giya Kancheli von Ashby, Arved, Mazo, Margarita

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Frank Zappa and the Anti-Fetishist Orchestra von Ashby, Arved

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Eduard Tubin-an introduction to the man and his symphonies von Ashby, Arved

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An Introduction to Eduard Tubin (1905-1982) and his Symphonies von Ashby, Arved

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OF "MODELL-TYPEN" AND "REIHENFORMEN:" BERG, SCHOENBERG, F. H. KLEIN, AND THE CONCEPT OF ROW DERIVATION von Ashby, Arved

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Liveness in Modern Music: Musicians, Technology, and the Perception of Performance. Routledge Research in Music von Ashby, Arved

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Theodor W. Adorno & Alban Berg: Correspondence, 1925–1935, ed. LonitzHenri, trans. HobanWieland (Cambridge, and Malden, MA: Polity, 2005), ISBN 978 0 7456 2335 1 (hb), 978 0 7456 2... von ASHBY, ARVED

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