The Choral Scholars of University College Dublin

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Troubled Times von Nabholz, Mark

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The Crucifixion: Stainer's Invention of the Anglican Passion and Its Subsequent Influence on Descendent Works by Maunder, Somervell, Wood, and Thiman von Hoch, Matthew

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Paradigm Shift von Burton, Sean Michael

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Habitualizing Excellence: Methods for Developing Practice Habits Within Choral Programs at Small Liberal Arts Institutions von Hughes, John C, Miller, Steven A

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The Choral Conductor as Bard in Motion von Sparks, Tram N

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For What Purpose? Johann Pachelbel and Incidental Music Commissions: A Case Study of Was Gott tut, das ist wohlgetan von Stubblefield, Shaun Andrew

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Serge Jaroff and His Don Cossack Choir: The Refugees Who Took the World by Storm von Arnold, Donna

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Retired and Refueled: An Interview with Conductor, Teacher, Composer, Arranger, and Pianist, André Jerome Thomas von Boyd, Brandon A

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Britten, Bach and The Passion von Kuykendall, James Brooks

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An American Premiere: Michael John Trotta’s Seven Last Words von Roste, Vaughn

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Creating Inclusivity: Transgender Singers in the Choral Rehearsal von Saplan, Jace

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Elgar’s Editing Process in From the Bavarian Highlands: Clues to Elgar’s Early Compositional Process von Mortensen, Bryson

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Seeking Satisfaction von Burton, Sean

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Unraveling the Mystery of BWV 23: Bach's Test Cantat for the St. Thomas Cantorate von MacMullen, Kristina Caswell

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Portrayal of Life and Death: An Analytical Study of Tarik O'Regan's Triptych von Brown, James E

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Choral Conductors and Voice Teachers: Finding Common Ground von Ferrell, Matthew A

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An Interview with Craig Hella Johnson von Milton, Jos

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Pierre de la Rue's Missa Pourquoy non: A Case for Re-Evaluation von Kempster, William

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Reviving Josef Rheinberger's Op. 64 Maitag: Ein lyrisches Intermezzo No. 1 Früh Morgens von Bumbach, Matthew

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