"The name and all th' addition": King Lear's Opening Scene and the Common-Law Use von Spinosa, Charles

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From the Editor

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From the Editor

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"Are We Being Historical Yet?": Colonialist Interpretations of Shakespeare's "Tempest" von Schneider, Ben Ross

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"The name and all th'addition": "King Lear's" Opening Scene and the Common Law Use von Spinosa, Charles

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"So beloved that men use his pictures for their signs": Richard Tarlton and the Uses of Sixteenth-Century Celebrity von Halasz, Alexandra

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Androgynous "Union" and the Woman in "Hamlet" von Stone, James

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Lucrece's Gaze von Carter, Stephen

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"She is fast my wife": Sex, Marriage, and Ducal Authority in "Measure for Measure" von Cacicedo, Alberto

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Spheres of Influence: Cartography and the Gaze in Shakespearean Tragedy and History von Armstrong, Philip

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Interlinear Trysting and "household stuff": the Latin Lesson and the Domestication of Learning in "The Taming of the Shrew" von Moisan, Thomas

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"Borrowed Robes," Costume Prices, and the Drawing of "Titus Andronicus" von Cerasano, S P

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Distinguishing Shakespeare from Fletcher through Function Words von Horton, Thomas B

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The Failure to Mourn in "All's Well That Ends Well" von Simpson, Lynne M

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Prospero's Empty Grasp von Hunt, John S

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Men of Inde: Renaissance Ethnography and "The Tempest" von Hamlin, William M

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Speech, Silence, and History in "The Rape of Lucrece" von MacDonald, Joyce Green

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Shakespeare and the Government of Comedy: "Much Ado About Nothing" von Straznicky, Marta

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The Wooing of Duke Vincentio and Isabella of "Measure for Measure": "The Image of It Gives [Them] Content" von Brown, Carolyn E

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Rogues, Shepherds, and the Counterfeit Distressed: Texts and Infracontexts of "The Winter's Tale" 4.3 von Mowat, Barbara A

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