Between P and B, Past and the Bottle: On Ingrid Bergman's acting in Alfred Hitchcock's Under Capricorn von Soila, Tytti

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MICHAEL WALKER MELODRAMA AND THE AMERICAN CINEMA von Walker, Michael

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Chapter 1. Pop music as film music von Garwood, Ian

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Introduction von Garwood, Ian

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Introduction von Kievan, Andrew

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THE POLITICS OF CLOSE ANALYSIS: Introduction von Donaldson, Lucy Fife, Purse, Lisa

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Creative Geography, Creative Connections: Candyman von Gibbs, John

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Perkins, Gombrich and Criteria von Pye, Douglas

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MICHAEL WALKER 1942 - 2022 Bibliography von Grist, Leighton

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Pinning down Hou Hsiao-Hsien's red balloon

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The spaces of genre and power in Audition and Midsommar von Farragher-Hanks, Milo

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MICHAEL WALKER 1942 - 2022: A tribute

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Conclusion

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Bibliography

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Notes

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Chapter 2. The pop song as narrative element

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Chapter 3. The pop song as narrational device

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Chapter 4. Pop music culture and screen identities

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Why did Film Studies ignore Perkins? von Ray, Robert B

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Dance, Camera, Dance: Directorial Choreography in the Live Anthology Drama von Labuza, Peter

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