Treffer 1 - 20 von 152 für Suche '"Analytical approaches to world music"', Suchdauer: 0,95s Treffer weiter einschränken
  1. 1
    Fifth Conference on Analytical Approaches to World Music, and Eighth Folk Music International Workshop

    Fifth Conference on Analytical Approaches to World Music, and Eighth Folk Music International Workshop von Sawatzky, Grant

    Veröffentlicht in Music theory online

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  2. 2
    Analytical Approaches to World Music 1

    Analytical Approaches to World Music 1 von MacDonald, Michael

    Veröffentlicht in Intersections (Toronto. 2006)

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  3. 3
    Analytical Approaches to World Music (AAWM). Online journal edited by Daniel Goldberg, Peter Manuel, Jay Rahn, and Lawrence Shuster. 2011. URL: http://www.aawmjournal.com

    Analytical Approaches to World Music (AAWM). Online journal edited by Daniel Goldberg, Peter Manuel, Jay Rahn, and Lawrence Shuster. 2011. URL: http://www.aawmjournal.com von Romero, Brenda M.

    Veröffentlicht in Yearbook for traditional music

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  4. 4
    Analytical Approaches to World Music 1, no. 1

    Analytical Approaches to World Music 1, no. 1 von MacDonald, Michael B.

    Veröffentlicht in Intersections (Toronto. 2006)

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  5. 5
    Introduction to the Special Issue on Ethnography and Analysis

    Introduction to the Special Issue on Ethnography and Analysis von Malin, Yonatan


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  6. 6
    Analytical Approaches to World Music (AAWM)

    Analytical Approaches to World Music (AAWM) von Romero, Brenda M

    Veröffentlicht in Yearbook for traditional music

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  7. 7
    Analytical Approaches to World Music 1, no. 1. http://aawmjournal.com

    Analytical Approaches to World Music 1, no. 1. http://aawmjournal.com von MacDonald, Michael B.

    Veröffentlicht in Intersections (Toronto. 2006)

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  8. 8
    Methods of analysis of selected instrumental music pieces of the Sonnleithner Collection of Tyrol

    Methods of analysis of selected instrumental music pieces of the Sonnleithner Collection of Tyrol von Peter, Oberosler

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  9. 9
    Response to “Global Notation as a Tool for Cross-Cultural and Comparative Music Analysis”

    Response to “Global Notation as a Tool for Cross-Cultural and Comparative Music Analysis” von Dor, George Worlasi Kwasi


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  10. 10
    Andrew Killick’s “Global Notation” and the Paradox of Universal Specificity

    Andrew Killick’s “Global Notation” and the Paradox of Universal Specificity von Schachter, Michael


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  11. 11
    The Dream of a Universal Notation: An Appreciation

    The Dream of a Universal Notation: An Appreciation von Rehding, Alexander


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  12. 12
    Response to “Global Notation as a Tool for Cross-Cultural and Comparative Music Analysis”

    Response to “Global Notation as a Tool for Cross-Cultural and Comparative Music Analysis” von Burns, James


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  13. 13
    Global Notation: Swapping Freedoms

    Global Notation: Swapping Freedoms von Tenzer, Michael


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  14. 14
    Response to “Global Notation as a Tool for Cross-Cultural and Comparative Music Analysis”

    Response to “Global Notation as a Tool for Cross-Cultural and Comparative Music Analysis” von Browner, Tara


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  15. 15
    From Staff to Global: A Response to Killick

    From Staff to Global: A Response to Killick von Widdess, Richard


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  16. 16
    Response to “Global Notation as a Tool for Cross-Cultural and Comparative Music Analysis”

    Response to “Global Notation as a Tool for Cross-Cultural and Comparative Music Analysis” von Bauer, Amy


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  17. 17
    Balinese Gamelan Tuning: The Toth Archives

    Balinese Gamelan Tuning: The Toth Archives von Wayne Vitale, William Sethares


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  18. 18
    The Brimming Vessel: An Analysis of the Ritual Repertoire of the Miḻāvu from a Tantric Perspective

    The Brimming Vessel: An Analysis of the Ritual Repertoire of the Miḻāvu from a Tantric Perspective von Pacciolla, Paolo


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  19. 19
    Do Ko Gyi Kyaw: Analyzing the Interactions between Rhythms, Melodies, and Sonic Structures of a Burmese Spirit Song Performance

    Do Ko Gyi Kyaw: Analyzing the Interactions between Rhythms, Melodies, and Sonic Structures of a Burmese Spirit Song Performance von Chiarofonte, Lorenzo


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  20. 20
    Tonic, Final, Kyū: Tonal Mappings in the Meiji Period and Beyond

    Tonic, Final, Kyū: Tonal Mappings in the Meiji Period and Beyond von Hynes-Tawa, Liam


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