Showing time: continuous pictorial narrative and the Adam and Eve story in memory of Alberto Argenton von Messina-Argenton, Laura, Agostini, Tiziano, Prest, Tamara, Verstegen, Ian 1969-

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"Real life was the better director": Arnheim, Chaplin and the productive limits of satire von Verstegen, Ian 1969-

Four kinds of spatially embedded images the Renaissance did not invent von Verstegen, Ian 1969-

The new Vienna school of art history fulfilling the promise of analytic holism von Verstegen, Ian 1969-

The Longue Durée of the Borgo fortifications von Verstegen, Ian 1969-

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Alberto Argenton e i suoi percorsi di ricerca psicologia dell'arte e pittura = Alberto Argenton and his research paths : psychology of art and painting von Messina-Argenton, Laura, Prest, Tamara, Verstegen, Ian 1969-

Federico Barocci and the science of drawing in Early Modern Italy von Verstegen, Ian 1969-

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Arnheim, Gestalt and Media An Ontological Theory von Verstegen, Ian

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Sedlmayr's Borromini von Verstegen, Ian 1969-

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Federico Barocci and the Oratorians corporate patronage and style in the Counter-Reformation von Verstegen, Ian

Conjugal piety Creusa in Barocci's "Aeneas' flight from Troy" von Verstegen, Ian 1969-

Cognitive iconology when and how psychology explains images von Verstegen, Ian 1969-

A realist theory of art history von Verstegen, Ian 1969-

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The "Second" Vienna School as Social Science von Verstegen, Ian 1969-

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Prägnanz als Singularität von Zeichen das Beispiel Tizians von Verstegen, Ian 1969-

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"Grande quanto l'opera" size and scale in Barocci's drawings von Marciari, John 1971-, Verstegen, Ian 1969-

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Francesco Maria and the duchy of Urbino, between Rome and Venice von Verstegen, Ian 1969-

Barocci, cartoons, and the workshop a mechanical means for satisfying demand von Verstegen, Ian 1969-

[Rezension von:] Ragni, Nadia: Francesco Paciotti : architetto urbinate (1521 - 1591). - Urbino : Accademia Raffaello, 2001 // Coppa, Alessandra: Francesco Paciotti : architetto mi... von Verstegen, Ian 1969-

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The apostasy of Michelangelo in a painting by Federico Barocci von Verstegen, Ian 1969-

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