Risky Business the early film actor and discourses of danger von Keil, Charlie 1958-

Movies and the 1910s introduction von Singer, Ben, Keil, Charlie 1958-

Movies and the beginning of a new era von Keil, Charlie 1958-

"As pleasing as it is incomprehensible" film catalogues as paratext von Braun, Marta 1946-, Keil, Charlie 1958-

Steel Engines and Cardboard Rockets the Status of Fiction and Nonfiction in Early Cinema von Keil, Charlie 1958-

Integrated attractions style and spectatorship in transitional cinema von Keil, Charlie 1958-

Early american cinema in transition story, style, and filmmaking, 1907-1913 von Keil, Charlie 1958-

Inhaltsverzeichnis

Provenance on ice Dawson City - frozen time and the Dawson City Collection von Keil, Charlie 1958-, Stewart, Christina

D. W. Griffith and the development of American narrative cinema von Keil, Charlie 1958-

Cary Grant and Katharine Hepburn domesticated mavericks von Keil, Charlie 1958-

American documentary finds its voice persuasion and expression in The Plow that broke the plains and The City von Keil, Charlie 1958-

The silent screen, 1895-1927 Cecil B. DeMille shapes the director's role von Keil, Charlie 1958-

"American" cinema in the 1990s and beyond whose country's filmmaking is it anyway ? von Keil, Charlie 1958-

Sounding Canadian early sound practices and nationalism in Toronto-based exhibition von Braun, Marta 1946-, Keil, Charlie 1958-

A companion to D.W. Griffith

Weitere Verfasser: “… Keil, Charlie 1958- …”
DE-861
DE-473
URL des Erstveröffentlichers

A companion to D.W. Griffith

Weitere Verfasser: “… Keil, Charlie 1958- …”

Editing and special / visual effects

Weitere Verfasser: “… Keil, Charlie 1958- …”

American cinema's transitional era audiences, institutions, practices

Weitere Verfasser: “… Keil, Charlie 1958- …”